Kulturakademin Podcast

The US live market is probably the most competitive, with fierce pressures - competing with corporate giants, securing funding and managing high costs. Independent players must innovate, build strong local networks, and constantly present captivating programs to survive in this industry. What’s it like to navigate this? What are the biggest issues? And for European artists wanting in on this massive market, strategic partnerships and the understanding of regional audiences is essential. How possible is it to get there? And what’s a good starting point to attract venues, promoters, and festivals to start building an audience? Nate Dorough, Pyramid Scheme / School Night, Michigan, US Lio Kanine, New Colosssus Festival, New York City, US Berkli Johnson, SXSW, Austin, US Chair, Sam Sumpter, Bands do BK, New York City, US