New Books In Music

Hildegard of Bingen was many things: a religious leader, a prolific letter-writer, a visionary prophet, possibly a compiler of medical lore, and certainly one of the most important composers of the 12th century. In recent years, Hildegard’s reception in academic circles has, for good and compelling reasons, focused on her status as a powerful, educated, and brilliantly creative woman in an era when few women were afforded such opportunities. But this has not been Hildegard’s only legacy. Jennifer Bain‘s recent book, Hildegard of Bingen and Musical Reception: The Modern Revival of Medieval Composer (Cambridge University Press,2015), charts the 19th-century reception of Hildegard’s life and music, and in doing so provides valuable perspective on the version of Hildegard that we know and love today. As Bain demonstrates, Hildegard has been in an almost constant state of revival since the early 19th century, and at every turn she has meant something different: depending on the interests of