New Books In Music

American history is all about movement: geographical, cultural, ideological. Economic depression and war make the 1930s and ’40s a dramatic example of this movement. In Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and ’40s (University of Chicago, 2012), Andrew S. Berish explores the flourishing big band dance music of these decades as it reflected and influenced movement with the United States. Conceptually, he examines the amorphous ideas of space and place, and the ways dance band jazz was defined by and helped create the places and spaces of mid-twentieth century America. Empirically, Berish’s focus is on the music of specific musicians and bands (Jan Garber, Charlie Barnet, Duke Ellington, Charlie Christian), the performances of their music (“Avalon,” “Make Believe Ballroom,” “Air-Conditioned Jungle”) and the places in which the performances took place (Casino Ballroom, Meadowbrook Inn, Chicago Civic Opera House,