Classic Poetry Aloud

Crane read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- I Stood Musing in a Black World by Stephen Crane (1871 – 1900) I stood musing in a black world, Not knowing where to direct my feet. And I saw the quick stream of men Pouring ceaselessly, Filled with eager faces, A torrent of desire. I called to them, "Where do you go? What do you see?" A thousand voices called to me. A thousand fingers pointed. "Look! look! There!" I know not of it. But, lo! In the far sky shone a radiance Ineffable, divine -- A vision painted upon a pall; And sometimes it was, And sometimes it was not. I hesitated. Then from the stream Came roaring voices, Impatient: "Look! look! There!" So again I saw, And leaped, unhesitant, And struggled and fumed With outspread clutching fingers. The hard hills tore my flesh; The ways bit my feet. At last I looked again. No radiance in the far sky, Ineffable, divine; No vision painte

Wilcox read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- I Love You by Ella Wheeler Wilcox (1850 – 1919) I love your lips when they're wet with wine And red with a wild desire; I love your eyes when the lovelight lies Lit with a passionate fire. I love your arms when the warm white flesh Touches mine in a fond embrace; I love your hair when the strands enmesh Your kisses against my face. Not for me the cold calm kiss Of a virgin's bloodless love; Not for me the saint's white bliss, Nor the heart of a spotless dove. But give me the love that so freely gives And laughs at the whole world's blame, With your body so young and warm in my arms, It sets my poor heart aflame. So kiss me sweet with your warm wet mouth, Still fragrant with ruby wine, And say with a fervour born of the South That your body and soul are mine. Clasp me close in your warm young arms, While the pale stars

Emily Bronte read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- Last Lines by Emily Bronte (1818 – 1848) No coward soul is mine, No trembler in the world’s storm-troubled sphere: I see Heaven’s glories shine, And faith shines equal, arming me from fear. O God within my breast, Almighty, ever-present Deity! Life—that in me has rest, As I—undying Life—have power in Thee! Vain are the thousand creeds That move men’s hearts: unutterably vain; Worthless as wither’d weeds, Or idlest froth amid the boundless main, To waken doubt in one Holding so fast by Thine infinity; So surely anchor’d on The steadfast rock of immortality. With wide-embracing love Thy Spirit animates eternal years, Pervades and broods above, Changes, sustains, dissolves, creates, and rears. Though earth and man were gone, And suns and un

Shakespeare read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- from Henry V by William Shakespeare KING. What's he that wishes so? My cousin Westmoreland? No, my fair cousin; If we are mark'd to die, we are enow To do our country loss; and if to live, The fewer men, the greater share of honour. God's will! I pray thee, wish not one man more. By Jove, I am not covetous for gold, Nor care I who doth feed upon my cost; It yearns me not if men my garments wear; Such outward things dwell not in my desires. But if it be a sin to covet honour, I am the most offending soul alive. No, faith, my coz, wish not a man from England. God's peace! I would not lose so great an honour As one man more methinks would share from me For the best hope I have. O, do not wish one more! Rather proclaim it, Westmoreland, through my host, That he which hath no stomach to this fight, Let him depart; his pass

Melville read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- Ball’s Bluff by Herman Melville (1819 – 1891) One noonday, at my window in the town, I saw a sight - saddest that eyes can see - Young soldiers marching lustily Unto the wars, With fifes, and flags in mottoed pageantry; While all the porches, walks, and doors Were rich with ladies cheering royally. They moved like Juny morning on the wave, Their hearts were fresh as clover in its prime (It was the breezy summer time), Life throbbed so strong, How should they dream that Death in rosy clime Would come to thin their shining throng? Youth feels immortal, like the gods sublime. Weeks passed; and at my window, leaving bed, By nights I mused, of easeful sleep bereft, On those brave boys (Ah War! thy theft); Some marching feet Found pause at last by cliffs Potomac cleft; Wakeful I mus

Mansfield read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- The Man with the Wooden Leg by Katherine Mansfield (1888 - 1923) There was a man lived quite near us; He had a wooden leg and a goldfinch in a green cage. His name was Farkey Anderson, And he'd been in a war to get his leg. We were very sad about him, Because he had such a beautiful smile And was such a big man to live in a very small house. When he walked on the road his leg did not matter so much; But when he walked in his little house It made an ugly noise. Little Brother said his goldfinch sang the loudest of all birds, So that he should not hear his poor leg And feel too sorry about it.

Coleridge read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- Fears in Solitude by Samuel Taylor Coleridge Thankless too for peace, (Peace long preserved by fleets and perilous seas) Secure from actual warfare, we have loved To swell the war-whoop, passionate for war! Alas! for ages ignorant of all Its ghastlier workings, (famine or blue plague, Battle, or siege, or flight through wintry snows,) We, this whole people, have been clamorous For war and bloodshed; animating sports, The which we pay for as a thing to talk of, Spectators and not combatants! No guess Anticipative of a wrong unfelt, No speculation on contingency, However dim and vague, too vague and dim To yield a justifying cause; and forth, (Stuffed out with big preamble, holy names, And adjurations of the God in Heaven,) We send our mandates for the certain death Of thousands and ten thousands! Boys and girls, And women,

War Poetry Week on Classic Poetry Aloud will include: • From fears in solitude – Coleridge • The man with the wooden leg – Mansfield • Balls Bluff – Herman Melville • A speech from Henry V – Shakespeare • The Soldier – Rupert Brooke • Strange Meeting – Wilfred Owen • And, on Sunday, From ‘for the fallen’ by Lawrence Binyon. To begin with, two poems taken from Kipling’s ‘Epitaphs of the Great War’, compiled after the war, and one letter, from his son. A Dead Statesman I could not dig: I dared not rob: Therefore I lied to please the mob. Now all my lies are proved untrue And I must face the men I slew. What tale shall serve me here among Mine angry and defrauded young?" The Last Letter of John Kipling Dear F - Just a hurried line as we start off tonight. The front line trenches are nine miles off from here so it wont be a very long march. This is THE great effort to break through & end the war. The guns have been going deafeningly all day, without a single stop. We have to push through at all costs

Thomas Moore read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- Believe Me, If All Those Endearing Young Charms by Thomas Moore (1779 – 18f2) Believe me, if all those endearing young charms, Which I gaze on so fondly to-day, Were to change by to-morrow, and fleet in my arms, Live fairy-gifts fading away, Thou wouldst still be adored, as this moment thou art, Let thy loveliness fade as it will, And around the dear ruin each wish of my heart Would entwine itself verdantly still. It is not while beauty and youth are thine own, And thy cheeks unprofaned by a tear, That the fervour and faith of a soul can be known, To which time will but make thee more dear! No, the heart that has truly loved never forgets, But as truly loves on to the close, As the sunflower turns on her god when he sets The same look which she turned when he rose!

Thomas Hood read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- The Song of the Shirt by Thomas Hood (1799 – 1845) With fingers weary and worn, With eyelids heavy and red, A woman sat in unwomanly rags, Plying her needle and thread— Stitch! stitch! stitch! In poverty, hunger, and dirt, And still with a voice of dolorous pitch She sang the “Song of the Shirt!” “Work! work! work! While the cock is crowing aloof! And work—work—work, Till the stars shine through the roof! It ’s Oh! to be a slave Along with the barbarous Turk, Where woman has never a soul to save, If this is Christian work! “Work—work—work Till the brain begins to swim; Work—work—work Till the eyes are heavy and dim. Seam, and gusset, and band, Band, and gusset, and seam, Till over the buttons I fall asleep, And sew them on in a

A halloween special from Classic Poetry Aloud.... MACBETH: ACT 1, SCENE 1 SCENE I. A desert place. Thunder and lightning. Enter three Witches First Witch When shall we three meet again In thunder, lightning, or in rain? Second Witch When the hurlyburly's done, When the battle's lost and won. Third Witch That will be ere the set of sun. First Witch Where the place? Second Witch Upon the heath. Third Witch There to meet with Macbeth. First I come, Graymalkin! Second Paddock calls. Third Anon. ALL Fair is foul, and foul is fair: Hover through the fog and filthy air. ACT 3, SCENE 5 SCENE I. A cavern. In the middle, a boiling cauldron. Thunder. Enter the three Witches First Thrice the brinded cat hath mew'd. Second Thrice and once the hedge-pig whined. Third Harpier cries 'Tis time, 'tis time. First Round about the cauldron go; In the poison'd entrails throw. Toad, that under cold stone Days and nights has thirty-one Swelter'd venom sleeping got, Boil thou first i' the charmed pot. AL

Longfellow read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- Nature by Henry Wadsworth Longfellow (1807 – 1882) As a fond mother, when the day is o’er, Leads by the hand her little child to bed, Half willing, half reluctant to be led, And leave his broken playthings on the floor, Still gazing at them through the open door, Nor wholly reassured and comforted By promises of others in their stead, Which, though more splendid, may not please him more; So Nature deals with us, and takes away Our playthings one by one, and by the hand Leads us to rest so gently, that we go Scarce knowing if we wish to go or stay, Being too full of sleep to understand How far the unknown transcends the what we know.

Shelley read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- One Word is too Often Profaned by Percy Bysshe Shelley (1792 – 1822) One word is too often profaned For me to profane it, One feeling too falsely disdain'd For thee to disdain it. One hope is too like despair For prudence to smother, And pity from thee more dear Than that from another. I can give not what men call love; But wilt thou accept not The worship the heart lifts above And the Heavens reject not: The desire of the moth for the star, Of the night for the morrow, The devotion to something afar From the sphere of our sorrow?

Christina Georgina Rossetti read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- Remember by Christina Georgina Rossetti (1830 – 1894) Remember me when I am gone away, Gone far away into the silent land; When you can no more hold me by the hand, Nor I half turn to go, yet turning stay. Remember me when no more day by day You tell me of our future that you plann'd: Only remember me; you understand It will be late to counsel then or pray. Yet if you should forget me for a while And afterwards remember, do not grieve: For if the darkness and corruption leave A vestige of the thoughts that once I had, Better by far you should forget and smile Than that you should remember and be sad.

Keats read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- To Sleep by John Keats O soft embalmer of the still midnight! Shutting with careful fingers and benign Our gloom-pleased eyes, embower'd from the light, Enshaded in forgetfulness divine; O soothest Sleep! if so it please thee, close, In midst of this thine hymn, my willing eyes, Or wait the amen, ere thy poppy throws Around my bed its lulling charities; Then save me, or the passèd day will shine Upon my pillow, breeding many woes; Save me from curious conscience, that still lords Its strength for darkness, burrowing like a mole; Turn the key deftly in the oilèd wards, And seal the hushèd casket of my soul. Comments You can find more readings of Keats' poetry at: http://classicpoetryaloud.wordpress.com/category/John-Keats/ For more on Keats, visit http://www.john-keats.com/

Tennyson read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- Summer Night by Alfred, Lord Tennyson (1809 – 1892) Now sleeps the crimson petal, now the white; Nor waves the cypress in the palace walk; Nor winks the gold fin in the porphyry font: The firefly wakens: waken thou with me. Now droops the milk-white peacock like a ghost, And like a ghost she glimmers on to me. Now lies the Earth all Danaë to the stars, And all thy heart lies open unto me. Now slides the silent meteor on, and leaves A shining furrow, as thy thoughts in me. Now folds the lily all her sweetness up, And slips into the bosom of the lake: So fold thyself, my dearest, thou, and slip Into my bosom and be lost in me. Comments For more readings of Tennyson on Classic Poetry Aloud, visit: http://classicpoetryaloud.wordpress.com/category/alfred-lord-tennyson/

Emerson read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- Good-bye by Ralph Waldo Emerson, (1803 – 1882) Good-bye, proud world! I’m going home: Thou art not my friend, and I’m not thine. Long through thy weary crowds I roam; A river-ark on the ocean brine, Long I’ve been tossed like the driven foam; But now, proud world! I’m going home. Good-bye to Flattery’s fawning face; To Grandeur with his wise grimace; To upstart Wealth’s averted eye; To supple Office, low and high; To crowded halls, to court and street; To frozen hearts and hasting feet; To those who go, and those who come; Good-bye, proud would! I’m going home. I am going to my own hearth-stone, Bosomed in yon green hills alone— A secret nook in a pleasant land, Whose groves the frolic fairies planned; Where arches green, the livelong day, Echo the blackbird’s roundelay, And vulgar feet have never trod A spot that is sacred to thought and God. O,

To a Fat Lady Seen From the Train by Frances Cornford (1886-1960) O why do you walk through the fields in gloves, Missing so much and so much? O fat white woman whom nobody loves, Why do you walk through the fields in gloves, When the grass is soft as the breast of doves And shivering sweet to the touch? O why do you walk through the fields in gloves, Missing so much and so much? The Fat White Woman Speaks by G. K. Chesterton (1874 - 1936) Why do you rush through the field in trains, Guessing so much and so much? Why do you flash through the flowery meads, Fat-head poet that nobody reads; And why do you know such a frightful lot About people in gloves as such? And how the devil can you be sure, Guessing so much and so much, How do you know but what someone who loves Always to see me in nice white gloves At the end of the field you are rushing by, Is waiting for his Old Dutch? Two Limerick by Ronald Knox There was young man who said ‘God Must think it exceedingly odd If he finds that this tree Continu

Wordsworth read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- The Daffodils by William Wordsworth (1770 - 1850) I wander'd lonely as a cloud That floats on high o'er vales and hills, When all at once I saw a crowd, A host of golden daffodils, Beside the lake, beneath the trees, Fluttering and dancing in the breeze. Continuous as the stars that shine And twinkle on the Milky Way, They stretch'd in never-ending line Along the margin of a bay: Ten thousand saw I at a glance, Tossing their heads in sprightly dance. The waves beside them danced, but they Outdid the sparkling waves in glee:— A poet could not but be gay In such a jocund company! I gazed, and gazed, but little thought What wealth the show to me had brought: For oft, when on my couch I lie In vacant or in pensive mood, They flash upon that inward eye Which is the bliss of

Longfellow read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- A Psalm of Life by Henry Wadsworth Longfellow (1807 – 1882) TELL me not, in mournful numbers, Life is but an empty dream!— For the soul is dead that slumbers, And things are not what they seem. Life is real! Life is earnest! And the grave is not its goal; Dust thou art, to dust returnest, Was not spoken of the soul. Not enjoyment, and not sorrow, Is our destined end or way; But to act, that each to-morrow Find us farther than to-day. Art is long, and Time is fleeting, And our hearts, though stout and brave, Still, like muffled drums, are beating Funeral marches to the grave. In the world's broad field of battle, In the bivouac of Life, Be not like dumb, driven cattle! Be a hero in the strife! Trust no Future, howe'er pleasant! Let the d