Classic Poetry Aloud

Hood read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- Past and Present by Thomas Hood (1799 – 1845) I remember, I remember The house where I was born, The little window where the sun Came peeping in at morn; He never came a wink too soon, Nor brought too long a day: But now, I often wish the night Had borne my breath away. I remember, I remember The roses, red and white, The violets, and the lily-cups— Those flowers made of light! The lilacs where the robin built, And where my brother set The laburnum on his birthday,— The tree is living yet! I remember, I remember Where I was used to swing, And thought the air must rush as fresh To swallows on the wing; My spirit flew in feathers then That is so heavy now, And summer pools could hardly cool The fever on my brow. I remember, I remember The fir t

John Keats read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- The Human Seasons by John Keats (1795 – 1821) Four Seasons fill the measure of the year; There are four seasons in the mind of man:— He has his lusty Spring, when fancy clear Takes in all beauty with an easy span: He has his Summer, when luxuriously Spring's honey'd cud of youthful thought he loves To ruminate, and by such dreaming high Is nearest unto heaven: quiet coves His soul has in its Autumn, when his wings He furleth close; contented so to look On mists in idleness—to let fair things Pass by unheeded as a threshold brook: He has his Winter too of pale misfeature, Or else he would forego his mortal nature. Comments You can find more readings of Keats' poetry at: http://classicpoetryaloud.wordpress.com/category/John-Keats/ For more on Keats, visit http://www.john-keats.com/

Elizabeth Barrett Browning read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- If Thou Must Love Me by Elizabeth Barrett Browning (1806 – 1861) Sonnets from the Portuguese iv If thou must love me, let it be for naught Except for love's sake only. Do not say, 'I love her for her smile—her look—her way Of speaking gently,—for a trick of thought That falls in well with mine, and certes brought A sense of pleasant ease on such a day'— For these things in themselves, Belovèd, may Be changed, or change for thee—and love, so wrought, May be unwrought so. Neither love me for Thine own dear pity's wiping my cheeks dry: A creature might forget to weep, who bore Thy comfort long, and lose thy love thereby! But love me for love's sake, that evermore Thou mayst love on, through love's eternity. Comments For all the Sonnets from the Portuguese, visit http

Clare read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- What is Life? by John Clare (1793 – 1864) And what is Life? An hour-glass on the run, A mist retreating from the morning sun, A busy, bustling, still-repeated dream. Its length? A minute's pause, a moment's thought. And Happiness? A bubble on the stream, That in the act of seizing shrinks to nought. And what is Hope? The puffing gale of morn, That of its charms divests the dewy lawn, And robs each flow'ret of its gem -and dies; A cobweb, hiding disappointment's thorn, Which stings more keenly through the thin disguise. And what is Death? Is still the cause unfound? That dark mysterious name of horrid sound? A long and lingering sleep the weary crave. And Peace? Where can its happiness abound? Nowhere at all, save heaven and the grave. Then what is Life? When stripped of its disguise, A thing to be desired it cannot be; Since everything that meets o

Wilde read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- The Harlot’s House by Oscar Wilde (1854 – 1900) We caught the tread of dancing feet, We loitered down the moonlit street, And stopped beneath the harlot's house. Inside, above the din and fray, We heard the loud musicians play The "Treues Liebes Herz" of Strauss. Like strange mechanical grotesques, Making fantastic arabesques, The shadows raced across the blind. We watched the ghostly dancers spin To sound of horn and violin, Like black leaves wheeling in the wind. Like wire-pulled automatons, Slim silhouetted skeletons Went sidling through the slow quadrille. They took each other by the hand, And danced a stately saraband; Their laughter echoed thin and shrill. Sometimes a clockwork puppet pressed A phantom lover to her breast, Sometimes they seemed to try to sing.

Johnson read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- To Celia by Ben Johnson (1572 – 1637) Drink to me only with thine eyes, And I will pledge with mine; Or leave a kiss but in the cup And I'll not look for wine. The thirst that from the soul doth rise Doth ask a drink divine; But might I of Jove's nectar sup, I would not change for thine. I sent thee late a rosy wreath, Not so much honouring thee As giving it a hope that there It could not wither'd be. But thou thereon didst only breathe And sent'st it back to me; Since when it grows, and smells, I swear, Not of itself but thee!

Whitman read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- O Captain! My Captain! by Walt Whitman (1819 – 1892) O CAPTAIN! my Captain! our fearful trip is done; The ship has weather’d every rack, the prize we sought is won; The port is near, the bells I hear, the people all exulting, While follow eyes the steady keel, the vessel grim and daring: But O heart! heart! heart! O the bleeding drops of red, Where on the deck my Captain lies, Fallen cold and dead. O Captain! my Captain! rise up and hear the bells; Rise up—for you the flag is flung—for you the bugle trills; For you bouquets and ribbon’d wreaths—for you the shores a-crowding; For you they call, the swaying mass, their eager faces turning; Here Captain! dear father! This arm beneath your head; It is some dream that on the deck, You’ve fall

Wilcox read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- Solitude by Ella Wheeler Wilcox (1850 – 1919) Laugh, and the world laughs with you; Weep, and you weep alone. For the sad old earth must borrow its mirth, But has trouble enough of its own. Sing, and the hills will answer; Sigh, it is lost on the air. The echoes bound to a joyful sound, But shrink from voicing care. Rejoice, and men will seek you; Grieve, and they turn and go. They want full measure of all your pleasure, But they do not need your woe. Be glad, and your friends are many; Be sad, and you lose them all. There are none to decline your nectared wine, But alone you must drink life's gall. Feast, and your halls are crowded; Fast, and the world goes by. Succeed and give, and it helps you live, But no man can help you die. There is room in the halls of pleasure For a long and lordly train, But one by one we must al

Manley Hopkins read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- Binsey Poplars felled 1879 by Gerard Manley Hopkins (1844 – 1889) My aspens dear, whose airy cages quelled, Quelled or quenched in leaves the leaping sun, All felled, felled, are all felled; Of a fresh and following folded rank Not spared, not one That dandled a sandalled Shadow that swam or sank On meadow and river and wind-wandering weed-winding bank. O if we but knew what we do When we delve or hew— Hack and rack the growing green! Since country is so tender To touch, her being só slender, That, like this sleek and seeing ball But a prick will make no eye at all, Where we, even where we mean To mend her we end her, When we hew or delve: After-comers cannot guess the beauty

Keats read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- On first looking into Chapman’s Homer by John Keats (1795 – 1821) Much have I travell’d in the realms of gold, And many goodly states and kingdoms seen; Round many western islands have I been Which bards in fealty to Apollo hold. Oft of one wide expanse had I been told That deep-brow’d Homer ruled as his demesne; Yet did I never breathe its pure serene Till I heard Chapman speak out loud and bold: Then felt I like some watcher of the skies When a new planet swims into his ken; Or like stout Cortez when with eagle eyes He star’d at the Pacific—and all his men Look’d at each other with a wild surmise— Silent, upon a peak in Darien. You can find more readings of Keats' poetry at: http://classicpoetryaloud.wordpress.com/category/John-Keats/

Gould read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- Oxford by Gerald Gould (1885 – 1936) I came to Oxford in the light Of a spring-coloured afternoon; Some clouds were grey and some were white, And all were blown to such a tune Of quiet rapture in the sky, I laughed to see them laughing by. I had been dreaming in the train With thoughts at random from my book; I looked, and read, and looked again, And suddenly to greet my look Oxford shone up with every tower Aspiring sweetly like a flower. Home turn the feet of men that seek, And home the hearts of children turn, And none can teach the hour to speak What every hour is free to learn; And all discover, late or soon, Their golden Oxford afternoon. Comments Although the New York Times proclaimed in 1912 that “Gerald Gould Can Now Be Called a Great Poet” (for the review see: http://query.nytimes.com

Mary Coleridge read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- Where a Roman Villa Stood, Above Freiburg Mary E. Coleridge (1861 – 1907) On alien ground, breathing an alien air, A Roman stood, far from his ancient home, And gazing, murmured, "Ah, the hills are fair,
But not the hills of Rome!" Descendant of a race to Romans-kin, Where the old son of Empire stood, I stand. The self-same rocks fold the same valley in, Untouched of human hand. Over another shines the self-same star, Another heart with nameless longing fills, Crying aloud, "How beautiful they are, But not our English hills!"

Tennyson read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- The Charge of the Light Brigade Alfred, Lord Tennyson (1809 – 92) Half a league, half a league, Half a league onward, All in the valley of Death Rode the six hundred. “Forward, the Light Brigade! Charge for the guns!” he said: Into the valley of Death Rode the six hundred. “Forward, the Light Brigade!” Was there a man dismay’d? Not tho’ the soldier knew Some one had blunder’d: Theirs not to make reply, Theirs not to reason why, Theirs but to do and die: Into the valley of Death Rode the six hundred. Cannon to right of them, Cannon to left of them, Cannon in front of them Volley’d and thunder’d; Storm’d at with shot and shell, Boldly they rode and well, Into the jaws of Death, Into the mouth of Hell Rode the six hundred. Flash’d all their sabres bare, Flash’d as they turn’d in air Sabring the gunners the

Browning read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- Meeting at Night by Robert Browning (1812 – 1889) The grey sea and the long black land; And the yellow half-moon large and low; And the startled little waves that leap In fiery ringlets from their sleep, As I gain the cove with pushing prow, And quench its speed i' the slushy sand. Then a mile of warm sea-scented beach; Three fields to cross till a farm appears; A tap at the pane, the quick sharp scratch And blue spurt of a lighted match, And a voice less loud, thro' its joys and fears, Than the two hearts beating each to each! Parting at Morning by Robert Browning (1812 – 1889) Round the cape of a sudden came the sea, And the sun look'd over the mountain's rim: And straight was a path of gold for him, And the need of a world of men for me.

E Dickinson read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- Because I could not stop for Death by Emily Dickinson (1830 – 1886) Because I could not stop for Death, He kindly stopped for me; The carriage held but just ourselves And Immortality. We slowly drove, he knew no haste, And I had put away My labor, and my leisure too, For his civility. We passed the school where children played At wrestling in a ring; We passed the fields of gazing grain, We passed the setting sun.

Donne read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- The Good-morrow by John Donne (1572 – 1631) I wonder by my troth, what thou, and I Did, till we lov'd? were we not wean'd till then? But suck'd on countrey pleasures, childishly? Or snorted we in the seaven sleepers den? T'was so; But this, all pleasures fancies bee. If ever any beauty I did see, Which I desir'd, and got, t'was but a dreame of thee. And now good morrow to our waking soules, Which watch not one another out of feare; For love, all love of other sights controules, And makes one little roome, an every where. Let sea-discoverers to new worlds have gone, Let Maps to other, worlds on worlds have showne, Let us possesse one world, each hath one, and is one. My face in thine eye, thine in mine appeares, And true plaine hearts doe in the faces rest, Where can we finde two better hemi

Marlowe read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- The Passionate Shepherd to His Love by Christopher Marlowe (1564 – 1593) Come live with me and be my Love, And we will all the pleasures prove That hills and valleys, dale and field, And all the craggy mountains yield. There will we sit upon the rocks And see the shepherds feed their flocks, By shallow rivers, to whose falls Melodious birds sing madrigals. There will I make thee beds of roses And a thousand fragrant posies, A cap of flowers, and a kirtle Embroider'd all with leaves of myrtle. A gown made of the finest wool Which from our pretty lambs we pull, Fair linèd slippers for the cold, With buckles of the purest gold. A belt of straw and ivy buds With coral clasps and amber studs: And if these pleasures may thee move, Come live with me and be my Love. Thy

John Scott read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- The Drum by John Scott (1731 – 1783) I hate that drum's discordant sound, Parading round, and round, and round: To thoughtless youth it pleasure yields, And lures from cities and from fields, To sell their liberty for charms Of tawdry lace and glitt'ring arms; And when Ambition's voice commands, To

Cowley read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- Drinking by Abraham Cowley (1618 – 1667) The thirsty earth soaks up the rain, And drinks and gapes for drink again; The plants suck in the earth, and are With constant drinking fresh and fair; The sea itself (which one would think Should have but little need of drink) Drinks twice ten thousand rivers up,

Arnold read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- Dover Beach by Matthew Arnold (1822 – 1888) The sea is calm to-night. The tide is full, the moon lies fair Upon the straits; on the French coast the light Gleams and is gone; the cliffs of England stand; Glimmering and vast, out in the tranquil bay. Come to the window, sweet is the night-air! Only, from the long line of spray Where the sea meets the moon-blanched land, Listen! you hear the grating roar Of pebbles which the waves draw back, and fling, At their return, up the high strand, Begin, and cease, and then again begin, With tremulous cadence slow, and bring The eternal note of sadness in. Sophocles long ago Heard it on the A gaean, and it brought Into his mind the turbid ebb and flow Of human misery; we Find also in the sound a thought, Hearing it by this distant northern sea. The Sea of Faith Was once, too, at the full, and round earth's sho