Colin Bradley Art Cast

In this episode Colin and Steve talk about doing your artwork in the evenings or early mornings and when is the most productive time for them. Colin discusses not tackling anything too tricky in the evening so you can leave your work at a good place. We also offer some tips and advice for our members including help with skies and choosing colours. Pictures referenced in the show: https://www.colinbradleyart.com/home/early-morning-or-late-night-podcast-250/

Through helping one of our students with her picture, Colin discusses finding contrast within a subject of the picture and also the components of the picture itself. How do you make the subjects 'pop'? How do you subdue the background and draw attention to the areas you want people to see? In this podcast Colin offers lots of great advice for students drawing from their own references. We also discuss how using a general white charcoal pencil and a double ended eraser can get you out of a tricky situation.

In this podcast we answer some of your questions and offer tips and advice on some of our members work. We talk about the importance of sharp pencils with zipping in whiskers, choosing colours for a dog and how changing one small part of a painting can affect the whole bias of the picture. See the pictures we discuss on this week's show on our website: https://www.colinbradleyart.com/home/about-us/latest-news/

In this episode we talk in depth about contrast and why this is such a challenging skill to learn using pastel pencils. We offer tips for improving the contrast in your pictures and exercises you can practice. Colin also discusses the intricacies behind achieving a likeness with your portraits and offers an update on a picture he's working on at the moment.

In this week's episode we answer more of your questions! Colin offers some advice for buying additional pencils to increase your range of colours. He discusses 4 pencils from Cretacolor, Caran d'Ache and STABILO which would be good first colours to purchase. We also talk about base colours and where to use the cool and warm greys in your picture. Lastly, we discuss trying to remove accidental fingerprints from your pictures - has this ever happened to you? Let us know!

In this podcast Colin talks about knowing when to stop working on a picture. This is something that he struggled with in the beginning. When do you stop working on a picture? How do you know when to finish? Colin talks about his experience. We also discuss mount sizes for A4 pictures and how much detail you should put into your outline drawings.

In this podcast Colin talks about the series of pictures he is doing where subjects are in shadow. He is magically using just 4 pastel pencils for these pictures and the results are outstanding. We also pass on a tip about using masking tape and suggest some common pastel stick colours which are good for those just getting started. See the pictures Colin's working on by visiting our instagram here: https://www.instagram.com/colinbradleyart

In this episode Colin talks about becoming looser with your approach and how working on realistic subjects provides a great foundation for moving into impressionism and specifically a looser watercolour approach. We also talk a little more about watercolour and how to stop your paper from buckling when it dries.

Colin's next project after Errol Flynn was to draw the beautiful Doris Day. Ever since he was a child he has adored Doris Day and this one was a real indulgence and pleasure for him to do. In this episode listen to the behind the scenes on creating this stunning portrait and be sure to check out the stages of this picture being completed over on our Facebook and Instagram pages: http://www.facebook.com/colin1940 http://www.instagram.com/colinbradleyart

In this episode Colin talks about his latest picture of Errol Flynn. We posted updates on our Facebook and Instagram of each stage so that you could see how it was created and in this show Colin offers some insights into the challenges of bringing Errol to life on the page. To see the pictures visit our Facebook or Instagram: http://www.facebook.com/colin1940 http://www.instagram.com/colinbradleyart

In this episode we talk about Colin's new demonstration piece - "The Scream" by Edvard Munch. You can get access to the demo FREE for a limited time only using the link below. ALL IN Members will also find the videos inside their membership area on the website. Colin also talks about the 2 new starter pack videos we've added - Broadstairs and the Daylight Beach Scene. You can find both subjects on our site and on Udemy as a bundle. Lastly, we discuss the new Errol Flynn portrait and the apprehension with approaching such a challenging and iconic subject. Keep your eyes peeled on our Facebook and Instagram to see the progress of this picture! Scream Demo links: Members login: http://bit.ly/cba-login Non Members link: https://bit.ly/scream-demo New Starter Pack links: Members login: http://bit.ly/cba-login Non members link: https://bit.ly/individual-courses Enrol on Udemy: https://bit.ly/9-pencil-landscapes Social Media: Facebook: http://www.facebook.com/colin1940 Instagram: http://www.instagram.com/co

In this episode we discuss working with tracedown carbons, both the graphite and white versions. When using a carbon do you need to go back over the drawing with a pencil? Colin shares his experience that gives him the best results when both working on light and dark papers. We also talk about the 3 new starter pack courses we've released as well as what Colin's working on next. Keep an eye on our Instagram to see photos of behind the scenes: http://www.instagram.com/colinbradleyart

In this podcast we talk about the new pictures Colin's been working on and specifically how he's composed the picture to draw the attention to the subject. He does this by changing the physical composition of the picture and also with the depth of field within the subject (blurring the background etc.). It's fascinating to hear how your attention can be directed when looking at a picture and Colin explains how he does this in this podcast. We hope you're all doing well and keeping safe. Our thoughts go out to all of you and hope that you're in a position to put pencil or paintbrush to paper and create.

In this episode we conclude our 3-part Q&A series with Business questions relating to art. We discuss the following: - What is the split of time like between creating art and dealing with the business side of things? - How does being an artist work out financially? (I'm not after figures!) Are there ebbs and flows? Has it changed over the decades? Have you ever been concerned about how it might work out? What do you know now that you didn't when you first started? - With a number of different revenue streams (e.g. commissions, prints, workshops etc), which is the most lucrative and is it what you most enjoy doing? - How do you price your work? - Have you had to alter your business model over the years? - Have you had to work hard at selling/marketing your work? - How do you find your clients? Do you target specific markets/types of people? - Do you have work in galleries? Is the cut they take from sold work worth the exposure it gains you? - Do you exhibit at trade shows/fayres? Is the fee for the space

Creating in times like these is more important than everCreating in times like these is more important than ever. We wanted to check in with everyone to see how you're all doing and hopefully inspire you to pick up a pencil or paint brush and create. Science has proven the incredible benefits to art and how it reduces the "fight or flight" stress hormone. This stress impacts our bodies in so many ways so putting your mind and body in the present moment can give you a chance to rest and escape "survival mode". In this video we also talk about the new picture Colin's been working on (you can find the work in progress pictures on Instagram here: http://www.instagram.com/colinbradleyart). There's another new art project coming to members this week and we'll check back in with you on Friday for our Podcast! Links mentioned in the video: -> Tabby Cat Course FREE for EVERYONE: https://bit.ly/draw-from-home -> Membership to our website: http://bit.ly/learn-more-cba -> YouTube Channel: http://www.youtube.com/col

In this episode Colin answers some more technical questions to do with art. These questions include: - Will fixative always dull and darken the appearance of a finished pastel piece? Or does it mean I've used too much? Is there an alternative? - Would you ever use normal cartridge paper for pastels or is it best to use specific paper for pastels? - What is the best technique for adding really sharp/crisp, detailed white whiskers over the top of layered pastels on animal portraits? - With so many different brands of pastels and papers, how do I choose which to buy? - When selling prints, do you provide a copy of the signed original and then sign it again with the limited edition number or do you photograph it prior to signing so that the print has an original signature on it with a duplication? Thanks to Teresa for sending the questions in, we hope people find the answers interesting and stay tuned for another Q & A podcast next week on the business of art!

In this episode Colin answers some questions about his career as an artist and offers advice to those who want to have a career in art. The questions we discuss include: *What has surprised you most about your career as an artist? *What incorrect assumptions do people have about life as an artist? *What do you wish you had known before you got into being an artist? Is there anything you would do differently if you could rewind? *What should a new artist be aware of before starting out? *What steps/advice/recommendations would you give to a new artist starting out? *What are the best resources/events/people to follow in the industry? *Is there anyone else you think it would be useful to speak to? We hope you enjoy this episode and look out for our next episodes where we'll answer technical art related questions and more about running a business as an artist.

In this episode we chat a little more about Colin's time at Butlins including a funny story of Colin's early teaching days. We also talk extensively about sharpening pencils and how different brands react differently to using a blade. What tips does Colin have for sharpening softer pastel pencils? We talk about what sharpeners are good and how the binding method of the different makes affects the sharpening method. Here's the sharpeners mentioned on this show: Faber-Castell Trio Sharpener Dahle 133 Creative Mark Multipoint crank sharpener Kum Automatic Long Point sharpener If you enjoyed the show please leave us a positive review on iTunes as it makes all the difference! - Colin and Steve

In this episode we deviate from art for Colin to tell us a story about his Summer working at Butlins in the 1960s. Hear this hilarious spontaneous story from a very young Colin wanting to spend the summers at a holiday resort rather than his "proper job". Let us know if you have any crazy stories like this that we can share on the podcast!

In this episode Colin talks about his new watercolour picture of Castle Combe and how in the 80s he visited to draw on location for filming a video. We dissect some of his watercolour techniques and achieving contrast with the background, middle-ground and foreground. Colin also shares a story from Steve's first time on stage and the role he played. Lastly, we talk about Colin's decision to paint pastel backgrounds as he progresses through the picture rather than saving them to the end. Follow Steve on Instagram for behind the scenes: https://www.instagram.com/artschoolsteve/