New Books In Music

In Uncommon Sense: Aesthetics after Marcuse (MIT Press, 2022), Craig Leonard argues for the contemporary relevance of the aesthetic theory of Herbert Marcuse, an original member of the Frankfurt School and icon of the New Left, while also acknowledging his philosophical limits. This account reinvigorates Marcuse for contemporary readers, putting his aesthetic theory into dialogue with anti-capitalist activism. Craig Leonard speaks to Pierre d’Alancaisez about anti-art, habit, the practice of defamiliarisation, a subversion of common sense. Leonard brings forward Marcuse’s claim that the aesthetic dimension is political because of its refusal to operate according to the repressive common sense that establishes and maintains relationships dictated by advanced capitalism. Craig Leonard‘s research and teaching interests include artist publications, sound art, performance and sculpture. His recent exhibitions include Central Art Garage (Ottawa), Darling Green (New York) and Double Happiness (Toronto). He is associ

In Who Cares Anyway: Post-Punk San Francisco and the End of the Analog Age (Headpress, 2023), Will York draws on over 100 interviews with musicians, artists, and scene participants as well as zines and other ephemera from the time period to chronicle post-punk San Francisco. York starts with the Punk Era and moves through Post Punk, Hard Core, the Eighties and into the Nineties, to explore the golden age of analog DIY culture, from the dark cabaret of Tuxedomoon and Factrix, the apocalyptic sounds of Minimal Man and Flipper, the conceptual humor of Gregg Turkington's Amarillo Records; through to the subversive pop music of Faith No More, the left-field experimentalism of Caroliner, Mr. Bungle, and Thinking Fellers Union Local 282, and much more. It's a tale full of existential drama, tragic anti-heroes, dark humor, spectacular failures--and even a few improbable successes. In addition, York has a companion podcast to delve further into the scene and the interviews. Rebekah Buchanan is a Professor of English

Rachel Gillett's At Home in Our Sounds: Music, Race, and Cultural Politics in Interwar Paris (Oxford University Press, 2021) explores the world of the French "Jazz Age" in the years after the First World War. Tracing the common ground and differences between communities of African American, French Antillean, and French West African artists who lived, performed, and interacted with one another in the French capital during the 1920s and 30s, the book asks questions about Blackness, Frenchness, colonialism, racism, identity, and solidarity through a focus on the experiences of a diversity of historical actors and sources. Connecting the rich and complex world of entertainment to social and political change and resistance, the book draws attention to class and gender as well as race to think through issues of nationalism, transnational movement and exchange, and anti-colonialism. Its chapters work with a range of materials including police records, recordings, biography and autobiography, and a wealth of images o

Bonus to the Ways of Hearing podcast and book A behind-the-scenes conversation with the creators of Ways of Hearing, the podcast and book. Hosted by author Damon Krukowski, with Radiotopia and Showcase executive producer Julie Shapiro, sound designer Ian Coss, MIT Press editor Matthew Browne, and graphic designer James Goggin. Recorded live before a studio audience at the PRX Podcast Garage, April 9, 2019. Mixed by Ian Coss. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Celeste Day Moore is a historian of African American culture, media, and Black internationalism in the twentieth century. Her first book, Soundscapes of Liberation: African American Music in Postwar France (Duke University Press, 2021), was awarded the Gilbert Chinard Prize from the Society for French Historical Studies. Her research has appeared in American Quarterly, the Journal of African American History, and the first edited volume of the African American Intellectual History Society (AAIHS). She received her doctorate from the University of Chicago and has been a fellow at the Institut d’Études Politiques in Paris and the Carter G. Woodson Institute for African-American and African Studies at the University of Virginia. As an associate professor of history at Hamilton College, she teaches courses on African American history as well as histories of empire, race, Black internationalism, and U.S. international relations. In Soundscapes of Liberation, Celeste Day Moore traces the popularization of African A

In Blank Canvas: Art School Creativity From Punk to New Wave (Intellect Publishing, 2022), Simon Strange explores the relationship between art and music within education in the United Kingdom. Strange examines the diverse range of people who broke down the barriers between art, life, and the creative self. He looks at art school Britain in the 1960s and ’70s, a hotbed of experimental DIY creativity that blurred the lines between art and music. Tracing lines from the Bauhaus “blank slate” through the white heat of the Velvet Underground and the cutting edge of the Slits, Blank Canvas draws on interviews with giants of the genre across the spectrums of music, gender, and race, from Brian Eno to Pauline Black, Cabaret Voltaire to Gaye Advert. What emerges is a portrait of the era as an eclectic range of musical styles and cultures fused, erupting into a diverse flow of outspoken originality. Providing a framework for creativity within the arts and education, the book illuminates a path for the cultural evolution

Whale song is an astonishing world of sound whose existence no one suspected before the 1960s. Its discovery has forced us to confront the possibility of alien intelligence--not in outer space but right here on earth. Thoughtful, richly detailed, and deeply entertaining, Whale Music: Thousand Mile Songs in a Sea of Sound (Terra Nova Press, 2023) uses the enigma of whale sounds to open up whales' underwater world of sonic mystery. In observing and talking with leading researchers from around the globe as they attempt to decipher undersea music, Rothenberg tells the story of scientists and musicians confronting an unknown as vast as the ocean itself. His search culminates in a grand attempt to make interspecies music by playing his clarinet with whales in their native habitats, from Russia to Canada to Hawaii. This is a revised edition of Thousand Mile Song, originally published in 2008. The latest advances in cetacean science and interspecies communication have been incorporated into this new edition, along wi

99.9% of aspiring rappers never make it in the music industry. So why do we only hear the stories of the ones who do? DVS Mindz might be the greatest rap group you've never heard of. Formed in Topeka, Kansas, in the mid-1990s, they developed a reputation for ferocious rhyming and frenetic live performances. In their heyday, DVS Mindz released a critically acclaimed CD, received nominations for prestigious awards, and opened for legends such as Wu-Tang Clan, Run-DMC, and De La Soul as well as KC icon Tech N9ne. But the group struggled with creative differences, substance abuse, ego battles, and money issues, and they split up in 2003. Geoff Harkness takes readers on a unique two-decade journey alongside the members of DVS Mindz, chronicling their childhoods, their brush with success, and what became of them in the years that followed. Based on more than one hundred hours of video and audio recordings from 1999 to 2022, this fly-on-the-wall account offers a backstage pass into the recording studios and radio st

Wolfgang Marx's I Don't Belong Anywhere: Gyorgy Ligeti At 100 (Brepols Publishers, 2022) commemorates the centenary of Gyorgy Ligeti's birth. The volume consists of twelve contributions that consists of new investigations of many aspects of Legeti's career.  2023 marks the centenary of Ligeti's birth, an appropriate moment to take stock of the relevance this composer has in the contemporary world, to assess where he "belongs" today and how our views of his uvre and our understanding of his position in musical and cultural history have evolved. What do Ligeti and his music have to say to us in our post-postmodernist age? Why do his works still fascinate us so much? This book offers new readings of core compositions such as "Aventures", "Lontano", "Le Grand Macabre", the "Holderlin Fantasies" and "Galamb borong". It also reassesses the context and reception of Ligeti's works, including the influence of Romanian music (not least in his childhood), musical life in Hungary between 1945 and 1956, the ways in which

A unique Buddhist tradition, accessible in English for the first time—translations of forty-five Cambodian Dharma songs, with contextualizing essays and a link to audio of stunning vocal performances.  Trent Walker's Until Nirvana's Time: Buddhist Songs from Cambodia (Shambhala, 2022) is the first collection of traditional Cambodian Buddhist literature available in English, presenting original translations of forty-five poems. Introduced, translated, and contextualized by scholar and vocalist Trent Walker, the Dharma songs in this book reveal a distinctive Southeast Asian genre of devotion, mourning, and contemplation. Their soaring melodies have inspired Cambodians for generations, whether in daily prayers or all-night rituals.  Trained in oral and written lineages in Cambodia, Walker presents a carefully curated range of poems from the seventeenth to twentieth centuries that capture the transformative wisdom of the Khmer Buddhist tradition. Many of the poems, having been transcribed from old cassette tapes

In Play Like a Man: My Life in Poster Children (University of Illinois Press, 2023), Poster Children bassist Rose Marshack details her life in the 80s and 90s as part of a heavily touring Indie Rock band. Using her Tour Reports from the 1990s, Marshack relates what life was like during the indie rock breakthrough while the advent of new digital technologies transformed the recording and marketing of music. Touring in a van, meeting your idols, juggling a programming job with music, keeping control and credibility, the perils of an independent record label (and the greater perils of a major)--Marshack chronicles the band's day-to-day life and punctuates her account with excerpts from her tour reports and hard-learned lessons on how to rock, program, and teach while female. She also details the ways Poster Children applied punk's DIY ethos to digital tech as a way to connect with fans via then-new media like pkids listservs, internet radio, and enhanced CDs. An inside look at a scene and a career, Play Like a M

Nicolas Collins, editor of Leonardo Music Journal and Chair of Sound at the School of the Art Institute of Chicago, answered our questions about the 20th anniversary issue of LMJ. The issue's theme was improvisation. In the podcast, Nic explains how he chose the theme and shares insights about putting the issue together, as well as about how improvisation and composition have evolved during his tenure as editor of LMJ. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

This is the late 1970s and '80s as explained through the urgent and still-relevant songs of the Clash, the Specials, the Au Pairs, the Style Council, the Pet Shop Boys, and nearly four hundred other bands and solo artists. Each chapter presents a mixtape (or playlist) of songs related to an alarming feature of Thatcher's Britain, followed by an analysis of the dialogue these artists created with the Thatcherite vision of British society. "Tell us the truth," Sham 69 demanded, and pop music, however improbably, did. It's a furious and sardonic account of dark times when pop music raised a dissenting fist against Thatcher's fascist groove thing and made a glorious, boredom-smashing noise. Bookended with contributions by Dick Lucas and Boff Whalley as well as an annotated discography, The Fascist Groove Thing: A History of Thatcher's Britian in 21 Mixtapes (PM Press, 2023) presents an original and polemical account of the era. Hugh Hodges has written extensively on African and West Indian music, poetry, and fict

Michael Gurevich, lecturer at the Sonic Arts Research Centre at the Queen’s University, Belfast School of Music and Sonic Arts, serves as guest editor of the Winter 2010 issue of Computer Music Journal. In this podcast, Michael discusses the fields of Computer Music and Human Computer Interaction (HCI). He describes how these fields intersect and what they can learn from each other, touching on how the field of Computer Music has grown and how this affects performance and composition of electronic music. This conversation was recorded on December 14, 2010. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

How can we—jazz fans, musicians, writers, and historians—understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights-era America. Dave Brubeck and the Performance of Whiteness (Oxford UP, 2023) uses Brubeck's performances of whiteness across his professional, private, and political lives as a starting point to understand the ways in which whiteness, privilege, and white supremacy more fully manifested in mid-century America. How is whiteness performed and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a

John W. Bubbles was an actor, singer, comedian, and most importantly, a dancer. Born in 1902, Bubbles was an innovator in the jazz tap style and half of the great vaudeville act, "Buck and Bubbles," with his partner pianist Buck Washington. Brian Harker tells Bubbles' story in Sportin’ Life: John W. Bubbles, An American Classic (Oxford University Press, 2022). Bubbles’ long career, which largely ended after a stroke in 1967, spanned several significant shifts in American popular entertainment. He started entertaining audiences in vaudeville just as films began to dominate the landscape followed by television. Harker tells the story of Bubbles’ tumultuous life and situates his career as a Black dancer within segregated America and an entertainment industry that perpetuated racist stereotypes and exploited its workers—especially those from minoritized communities. Although Bubbles originated the role of Sportin’ Life in George Gershwin’s Porgy and Bess, he has largely slipped out of American memory. Harker rest

For today’s episode we welcome jazz organist Tony Monaco to the show. Tony is a master of the Hammond B3 and has collaborated with many other great jazz musicians, including fellow jazz organist Joey DeFrancesco, drummer Steve Smith, as well as guitarists Pat Martino and George Benson, among many others. Downbeat Magazine named Tony in the top 5 jazz organists internationally for the years 2005-2011 and his albums have been both commercially successful and critically acclaimed, with several climbing to the upper levels of Jazzweek’s annual top 100 listings. Our conversation covers much ground related to error, ego, humility and music, but also Tony’s struggles with alcoholism over the course of his career. And be sure to listen all the way to the end for a great live rendition of Tony’s composition I’ll Remember Jimmy. John Kaag is Professor and Chair of Philosophy at UMass Lowell and External Professor at the Santa Fe Institute. John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in

Margaret Hall's Gemignani: Life and Lessons from Broadway and Beyond (Applause Books, 2022) is the definitive book on Broadway's greatest music director. From a youth playing in jazz bands to a storied career conducting Sunday in the Park with George, Sweeney Todd, Evita, and Into the Woods, Gemignani's life story provides a behind-the-scenes look at many of the pivotal moments in musical theatre history. The book also provides a vivid sense of Gemignani as a person: a warm, avuncular, yet passionately opinionated figure whom many Broadway legends rely on to make their shows come alive. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Contingent Encounters: Improvisation in Music and Everyday Life (U Michigan Press, 2022) offers a sustained comparative study of improvisation as it appears between music and everyday life. Drawing on work in musicology, cultural studies, and critical improvisation studies, as well as his own performing experience, Dan DiPiero argues that comparing improvisation across domains calls into question how improvisation is typically recognized. By comparing the music of Eric Dolphy, Norwegian free improvisers, Mr. K, and the Ingrid Laubrock/Kris Davis duo with improvised activities in everyday life (such as walking, baking, working, and listening), DiPiero concludes that improvisation appears as a function of any encounter between subjects, objects, and environments. Bringing contingency into conversation with the utopian strain of critical improvisation studies, DiPiero shows how particular social investments cause improvisation to be associated with relative freedom, risk-taking, and unpredictability in both scho

Andrew Simon, a historian of media, popular culture, and the Middle East at Dartmouth College, discusses his new book Media of the Masses: Cassette Culture in Modern Egypt (Stanford University Press, 2022) , with Peoples & Things host, Lee Vinsel. Media of the Masses is an engaging book that examines the impact of cassettes, cassette players, and their users during a particular period in Egypt's recent past. It provides a brilliant example of how disparate and surprising sources can be used to uncover the extraordinary story of an ordinary technology. Along the way, Simon directs our attention to a significant truth: audiocassettes provided countless people with the opportunity to create and circulate cultural content long before the internet and social media ever entered our daily lives. This book will captivate anyone interested in the history of technology, mass media, or popular culture. Lee Vinsel is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies