New Books In Music

In Vinyl Ventures: My Fifty Years at Rounder Records (Equinox, 2021), founder Bill Nowlin combines memoir with a history of the founding and evolution of Rounder as he talks about his experiences as one of the labels three founders. Rounder Records was born in 1970, a "hobby that got out of control," a fledgling record company more or less conceived while the Sixties were still in flower, which began on just over $1,000. Founded by three friends just out of college, the Boston-area company produced over 3,000 record albums, the most active company of the last half-century specializing in roots music and its contemporary offshoots. Rounder won 56 Grammy Awards and documented a swath of music that in many cases might otherwise never have been presented to a broader public. It's arguably a quintessentially American success story. This book focuses on the early years up to and just through when Rounder evolved to a second stage, with a generational change that has kept the label healthy and flourishing when so ma

Chronicling Stankonia: The Rise of the Hip-Hop South (University of North Carolina Press, 2021) pulses with the beats of a new American South, probing the ways music, literature, and film have remixed southern identities for a post–civil rights generation. For scholar and critic Dr. Regina N. Bradley, OutKast’s work is the touchstone, a blend of funk, gospel, and hip-hop developed in conjunction with the work of other culture creators—including T.I., Kiese Laymon, and Jesmyn Ward. This work, Bradley argues, helps define new cultural possibilities for Black southerners who came of age in the 1980s and 1990s and have used hip-hop culture to buffer themselves from the historical narratives and expectations of the civil rights era. André 3000, Big Boi, and a wider community of creators emerge as founding theoreticians of the hip-hop South, framing a larger question of how the region fits into not only hip-hop culture but also contemporary American society as a whole. Chronicling Stankonia reflects the ways that c

Churches have long sought the arts as a vehicle to communicate divine transcendence and to form worshipers. In Glimpses of the New Creation: Worship and the Formative Power of the Arts (Eerdmans, 2019), W. David O. Taylor brings much needed clarity into conversations around the role of arts in Christian liturgy.  After framing the way our theological positions and ecclesiastical traditions carry with them a set of presuppositions and implications about the arts and worship, Taylor then devotes a chapter each to the "singular powers" of various artistic disciplines: musical arts, visual arts, poetic arts, kinetic arts, and more. Throughout, readers gain much needed precision and nuance that can guide them through a wide array of conversations about the arts across the Christian tradition. David Taylor is Associate Professor of Theology and Culture at Fuller Theological Seminary, and you can follow him on Twitter (@wdavidotaylor), Instagram (@davidtaylor_theologian), or visit his website.  Ryan David Shelton (@

During the Cold War, cultural diplomacy was one way that the governments of the United States and the Soviet Union tried to cultivate goodwill towards their countries. As Anne Searcy explains in her book, Ballet in the Cold War: A Soviet-American Exchange (Oxford University Press, 2020), dance was part of this effort. She focuses on two tours of the USSR undertaken by American troupes when the American Ballet Company visited the Soviets in 1960, and when choreographer George Balanchine returned to the country of his birth in 1962 with his New York City Ballet Company. These popular tours functioned as an important symbolic meeting point for Soviet and American officials, creating goodwill and normalizing relations between the two countries in an era when nuclear conflict was a real threat. Although geo-political tensions feature in the book, Searcy is just as concerned with the reception of these tours by Soviet and American critics, and how they filtered their opinions on the dances and performers they saw t

In My Private Lennon: Explorations From a Fan Who Never Screamed (Mad Creek Press, 2020), Sibbie O'Sullivan offers a new point of view from which to consider the Beatles’ impact on society and on the individual. In a series of linked autobiographical essays that explore the musical, cultural, and personal aspects of intense music fandom, Sibbie O’Sullivan dismantles the grand narrative of the fifteen-year-old hysterical female Beatles fan and replaces it with an introspective and often humorous tale about how the band shaped her intellectual and artistic development. My Private Lennon charts the author’s realization that the Beatles, especially John Lennon, were a crucial force in her development. A radical departure from other books written by Beatles fans, My Private Lennon invites its readers to consider subjects not usually found in works about Lennon and the band, such as the constraints of memory, the male body, grief, the female breast, race, cultural issues, and the importance of privacy in our over-m

The choices that churches make about their musical style do more than simply change the sounds one hears in their gatherings, but actually form certain kinds of community. So Monique M. Ingalls, Associate Professor of Music at Baylor University, argues in her book Singing the Congregation: How Contemporary Worship Music Forms Evangelical Community (Oxford UP, 2018).  Ingalls draws upon her original ethnographic research across five different forms of musical congregating among North American Evangelicals to analyze musical congregations at the concert, the conference, the local church, public events, and online spaces. Her study presents a new paradigm for congregational studies that is capable of taking a much more fluid approach to what constitutes a congregation. This study has wide-ranging implications for how to study religious mobilization and posturing beyond the strict, traditional institutional borders. Monique is also co-founder of the Christian Congregational Music: Local and Global Perspectives Co

During the middle decades of the twentieth century, the production of America’s consumer culture was centralized in New York to an extent unparalleled in the history of the United States. Every day tens of thousands of writers, editors, artists, performers, technicians, and secretaries made advertisements, produced media content, and designed the shape and feel of the consumer economy. While this centre of creativity has often been portrayed as a smoothly running machine, within these offices many white-collar workers challenged the managers and executives who directed their labours. Shannan Clark. author of The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism (Oxford UP, 2020), speaks with Pierre d’Alancaisez about the origins of the creative class, their labour union struggles and successes, the role of the Works Projects Administration, and institutions like the Design Laboratory and Consumer Union which foretell the experiences of today’s culture worke

In Cartographies of Youth Resistance: Hip-Hop, Punk, and Urban Autonomy in Mexico (U California Press, 2020), based on a decade of ethnographic fieldwork, Maurice Magaña considers how urban and migrant youth in Oaxaca embrace subcultures from hip-hop to punk and adopt creative organizing practices to create meaningful channels of participation in local social and political life. In the process, young people remake urban space and construct new identities in ways that directly challenge elite visions of their city and essentialist notions of what it means to be indigenous in the contemporary era. Cartographies of Youth Resistance is essential reading for students and scholars interested in youth politics and culture in Mexico, social movements, urban studies, and migration. Dr. Magaña is sociocultural anthropologist and Assistant Professor of Mexican American studies at the university of Arizona. Sneha Annavarapu is a postdoctoral researcher at the University of Chicago. Learn more about your ad choices. Visit

In Millennials Killed the Video Star: MTV’s Transition to Reality Programming (Duke University Press, 2021), Dr. Amanda Ann Klein examines the historical, cultural, and industrial factors leading to MTV's shift away from music videos to reality programming in the early 2000s and 2010s. Drawing on interviews with industry workers from programs such as The Real World and Teen Mom, Klein demonstrates how MTV generated a coherent discourse on youth and identity by intentionally leveraging stereotypes about race, ethnicity, gender, and class. Klein explores how this production cycle, which showcased a variety of ways of being in the world, has played a role in identity construction in contemporary youth culture—ultimately shaping the ways in which Millennial audiences of the 2000s thought about, talked about, and embraced a variety of identities. Dr. Amanda Ann Klein is associate professor in the Department of English at East Carolina University. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Flo

Ambient Sufism: Ritual Niches and the Social Work of Musical Form (University of Chicago Press, 2021) by Richard C. Jankowsky (an Associate Professor of music at Tufts University) is a rich ethnographic study of the sonic and ritual landscapes of complex religious communities in Tunisia. Using theoretical approaches of ethnomusicology that attends to questions and patterns of form, texture, and intensification of the soundscapes, along with the consideration of the uses of various instruments, such as during trance, Stambeli, and dhikr, the study illuminates the role of women, racial, and religious minorities in shaping the ritual musical landscape of the region. The book includes case studies on women's and men's Sufi orders, Jewish and Black Tunisian healing practices, and popular music across diverse socio-economic classes as a prism to consider the social work of ritual music. Jankowsky concludes with a critical discussion of the popularization of Sufi ritual music in mass-mediated staged spectacles and t

In Warhol's Mother's Pantry: Art America and the Mom in Pop (Mad Creek Press, 2020), M.I. Devine introduces readers to a collection of 21st-century multi-genre essays inspired by Andy Warhol's mother, Julia, that provide a literary and cultural history of new pop humanism. "Here are Leonard Cohen’s last songs and Molly Bloom’s last words; Vampire Weekend’s Rostam and Philip Larkin too; Stevie Smith, John Donne, and Kendrick Lamar; sonnets and selfies; early cinema and post–9/11 film, pop hooks, and pop art." Devine's series of essays examines his histories and relationships with pop culture and art.  Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

This one's personal. Tyler Sonnichsen's Capitals of Punk: DC, Paris, and Circulation in the Urban Underground (Palgrave, 2019) was an amazing book for me to read and speak with its author about. While I am always fascinated by the different approaches to and thematic areas covered by the books I explore for the podcast, this one took me back to my years as a Montreal teenager, cutting my own hair, sewing my own dresses/skirts, and running around town after the loudest, fastest (sometimes angriest) music I could find. And it brings the stories of some of my favourite sounds from that era (and since) together with my love of and fascination for France and French culture. That's never happened before for me on the podcast.  Capitals of Punk looks at the movement -between France and the United States, Paris and DC- of music, people, a broader (sub)cultural phenomenon that included writing, art, ideas, an ethos for creating and living. Drawing on interviews and the extensive archives kept by musicians, promoters,

Nate Chinen's Playing Changes: Jazz for the New Century (Vintage, 2019) is an essential guide to 21st century jazz. Named a best book of the year by NPR, GQ, Billboard, JazzTimes and many more, Chinen's book profiles many of the most exciting voices in jazz, from Kamasi Washington to Henry Threadgill to Cécile McLorin Salvant. Chinen shows that contemporary jazz thrives off its interplay with genres including classical, hip-hop, R&B, and rock. Jazz, now as always, is an ever-evolving polyglot genre, not a set of canonical works captured in amber. This is a great book for jazz aficionados looking to expand their knowledge of today's foremost players or for general music fans looking for a window into the diverse and exciting world of jazz.  Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a prem

Today I talked to David A. Lees about his book Memphis Mayhem: A Story of the Music That Shook Up the World (ECW Press, 2020) David Less has studied Memphis music for over 40 years, including work done for the National Endowment for the Humanities, the Smithsonian Institution, and the Gibson Guitar Foundation. He’s been published in Rolling Stone and DownBeat, among other places. This episode seizes first on three major events that happened in Memphis: the formal start of the blues (W.C. Handy 1909), the start of rock n’ roll (Elvis Presley 1954), and the tragic assassination of Martin Luther King (1968). Along the way, this episode explores everything from the impact of yellow fever epidemics on Memphis racial dynamics, including the rise of the South’s first (black) millionaire; and later the development of Beale Street into “Black America’s Main Street.” Other highlights include: the creation of America’s first all-female radio station (WHER, 1955) by Sam Phillips of Sun Studio fame; and the wealth of inde

After the Dance, the Drums Are Heavy: Carnival, Politics, and Musical Engagement in Haiti (Oxford University Press, 2020) is a study of carnival, politics, and the musical engagement of ordinary citizens and celebrity musicians in contemporary Haiti. Drawing on more than a decade and a half of ethnographic research, Rebecca Dirksen presents an in-depth consideration of politically and socially engaged music and what these expressions mean for the Haitian population in the face of challenging political and economic circumstances. The book centers the voices of Haitian musicians and regular citizens by extensively sharing interviews and detailed analyses of musical performance in the context of contemporary events well beyond the musical realm. Dr. Rebecca Dirksen is an ethnomusicologist working across the spectrum of musical genres in Haiti and its diaspora. Her research concerns cultural approaches to development, crisis, and disaster; sacred ecologies, diverse environmentalisms, and ecomusicology; and applie

As common as it is today to speak of the relative “height” of musical pitches or of the sense of “vocal space” as it opened up by particular recording techniques, we did not always understand sound to be spatial. How did it become so? In Stereophonica: Sound and Space in Science, Technology, and the Arts (MIT Press, 2021), Gascia Ouzounian (Associate Professor of Music, Oxford University; Fellow and Tutor, Lady Margaret Hall) explores the answer, drawing on episodes drawn from the history of stereo technologies in the nineteenth century through to visual representations of and in sonic environments today. Ouzounian takes the reader from early innovations in the laboratory study of stereophony to the mobilization of the human hearing sense during World War I. Her account covers spectacular demonstrations of new sound-reproducing technologies in the inter-war period, the applications of new psychoacoustic theories of spatial hearing in both peacetime and in war, and right up to the 21st century, as the relation

Premiered in 1944, Appalachian Spring is a ballet developed in a close collaboration between the composer Aaron Copland and choreographer Martha Graham. It is one of Copland’s most famous compositions, but its very popularity has obscured the performance and publication history of this iconic Americana work. In fact, most people are familiar with the orchestral suite Copland arranged from the ballet’s music rather than with the original composition. Even Copland lost track of the many different published versions of the score. Jennifer DeLapp-Birkett and Aaron Sherber have stepped into this muddle and co-edited a critical edition of the score of the original music for the ballet, published by A-R Editions in 2020 as part of a series called Music of the United States of America (MUSA). MUSA is a joint venture between the Recent Researches in Music series of editions and the American Musicological Society with significant funding support from the National Endowment of Humanities. The series aims to reflect the

Brian Foster, self-identified Black boy from rural Mississippi, joins us today for a conversation about his book, I Don't Like the Blues: Race, Place, and the Backbeat of Black Life (The University of North Carolina Press, 2020). In this interview, he shares with us how his experiences growing up in, leaving and returning home to Mississippi shaped his storytelling. Foster first began this ethnographic project as a doctoral student in Sociology at UNC Chapel Hill. As he tells us, the project started as an exploration of educational inequality and race. It became something very different as he let himself be guided by the stories and experiences of the community he was researching. Brian tells us about a few of the folks he met while living in Clarksdale who shaped the direction and core ideas of this book; their stories highlighted perplexing and sometimes uncomfortable contradictions about what it meant to love and not like the Blues. We learn about Clarksdale, MI and the unique history of the Mississippi De

In Chocolate Surrealism: Music, Movement, Memory, and History in the Circum-Caribbean (University Press of Mississippi, 2016), Dr. Njoroge M. Njoroge highlights connections among the production, performance, and reception of popular music at critical historical junctures in the late nineteenth and twentieth centuries. Njoroge illuminates musics of the circum-Caribbean as culturally and conceptually integrated within the larger history of the region. Njoroge examines the deep interrelations between music, movement, memory, and history in the African diaspora. He finds the music both a theoretical anchor and a mode of expression and representation of Black identities and political cultures. Music and performance offer ways for the author to re-theorize the intersections of race, nationalism and musical practice, and geopolitical connections. Further, music allows Njoroge a reassessment of the development of the modern world system in the context of local, popular responses to the global age. The book analyzes d

Damaged: Musicality and Race in Early American Punk (University Press of Mississippi, 2020) is the first book-length portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical analysis, archival research, and new interviews, Damaged provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era. Evan Rapport outlines the ways in which punk developed out of dramatic changes to America’s cities and suburbs in the postwar era, especially with respect to race. The musical styles that led to punk included transformations to blues resources, experimental visions of the American musical past, and bold reworkings of the rock-and-roll and rhythm-and-blues sounds of the late 1950s and early 1960s, revealing a historically oriented approach to rock that is strikingly different from the common myths and conceptions abou