New Books In Music

The story of popular entertainment in American immigrant communities is only just beginning to be told. Chinatown Opera Theater in North America by Nancy Yunhwa Rao from University of Illinois Press (2017) addresses the history of Cantonese Opera performed in Chinatowns in cities across North America with a primary focus on San Francisco, New York City, and Vancouver during the 1920s. Using a wealth of archival material, including extensive records from the U.S. Immigration Service, Rao provides an enormous amount of information about the theaters, companies, performers, and repertoire of this operatic genre. She contextualizes the performance of Cantonese Opera within the cultural life of Chinese communities, explains the print materials and recordings that circulated the music, and details the significant impact that exclusionary governmental immigration policies had on this theatrical tradition and Chinese immigrants in Canada and the United States. Rao’s book not only offers information about this perform

How does music link people across time and space? How do singers modulate their repertoires to forge links with audiences both within and across local, regional and national borders? What are the consequences of these developments? In Song King: Connecting People, Places and Past in Contemporary China (University of Hawaii Press 2018), Dartmouth College Assistant Professor Levi S. Gibbs seeks to answer these and other questions through an examination of the life and music of Wang Xiangrong, the Folksong King of Western China. As a folksong king, Wang is both folk and elite, and in this capacity he simultaneously is tasked with representing the local, the regional, and the national both in performances within China, and—in the case of one chapter looking at his performance at the Dow Chemical Plant in Midlands Michigan—around the world. Born and raised in a rural area of Northern Shaanxi Province, Wang grew up listening to shamanic songs and bawdy songs, but grew into other contexts in which he now represents

People have always sought ecstatic experiences - moments where they go beyond their ordinary self and feel connected to something greater than them. Such moments are fundamental to human flourishing, but they can also be dangerous. Beginning around the Enlightenment, western intellectual culture has written off ecstasy as ignorance or delusion. But philosopher Jules Evans argues that this diminishes our reality and denies us the healing, connection and meaning that ecstasy can bring.In his book, The Art of Losing Control: A Philosopher's Search for Ecstatic Experience (Canongate Books, 2017) he sets out to discover how people find ecstasy in a post-religious culture, how it can be good for us, and also harmful. Along the way, he explores the growing science of ecstasy, to help the reader - and himself - learn the art of losing control.Evans’ exploration of ecstasy is an intellectual and emotional odyssey drawing on personal experience, interviews, and readings from ancient and modern philosophers. From Aristo

In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic. How can publishers and authors contribute to this process? This podcast addresses this issue. We interview Professor Austin Choi-Fitzpatrick, whose book, The Good Drone: How Social Movements Democratize Surveillance (forthcoming with MIT Press) is undergoing a Massive Online Peer-Review (MOPR) process, where everyone can make comments on his manuscript. Additionally, his book will be Open Access (OA) since the date of publication. We discuss with him how do MOPR and OA work, how he managed to combine both of them and how these initiatives can contribute to the democratization of knowledge. You can participate in the MOPR process of The Good Drone through this link: https://thegooddrone.pubpub.org/ Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices w

Given its expanding multimedia presence in Asia and around the world for many years now, K-pop is a phenomenon that is hard to ignore. This “animal that thrives on excess,” as Suk-Young Kim puts it (p. 6) is more than just music, however, as it offers us a way of looking at a host of fascinating and important subjects in politics, economics, anthropology and performance studies.Suk-Young Kim's book K-Pop Live: Fans, Idols, and Multimedia Performance (Stanford University Press, 2018) transports us into K-pop's dizzying world of production, consumption, participation and neoliberal commerce. As well as navigating the geopolitical and technological conditions that have enabled K-pop’s emergence and success, Kim takes us up close to the fans and stars themselves through her ethnographic work at gigs, conventions and TV recordings. Combining all the passion of a true fan with clear-headed analysis of postmodern subjects' interactions with big business and the state, this is a must-read for anyone curious about con

The Lied is one of the most important genres of nineteenth-century Romantic music, and one of the most intriguing. Balanced between public and private performance, an expression of both poetic and musical meaning, musicologists have tended to study Lieder by analyzing the connections between the music and text. In her new book Intimacy, Performance, and the Lied in the Early Nineteenth Century published by Indiana University Press in 2018, Dr. Jennifer Ronyak studies a set of Lieder with texts she identifies as “intimate lyric poetry” through the lens of performance using methodologies culled from literary studies, philosophy, and musicology. Delving deeply into German Romantic ideas about interiority and the self, Ronyak considers Lieder as an intimate expression of meaning for composer, lyricist, singer, and audience. She contextualizes this act of performance within the salon culture of several important German cities. By centering a philosophical inquiry into the paradox of the Lieder as the outward expre

Nick Soulsby's most recent book, Sacrifice and Transcendence: The Oral History of Swans was published in 2018 by Jawbone Press and is a collection of extensive and revealing interviews regarding the US experimental rock band Swans. Soulsby talks to key players in the band’s history and traces their evolution from noise rock provocateurs in New York’s 1980s underground music scene to one of the most intense, and must see live attractions of recent years.Stephen Lee Naish is a writer and author of several books on the subjects of film and popular culture. He lives in Ontario, Canada. Follow him on Twitter @riffsandmeaning.Learn more about your ad choices. Visit megaphone.fm/adchoices

Music lovers and researchers alike have long been fascinated by the story of Ludwig van Beethoven who became profoundly deaf as an adult and could not hear some of his most famous compositions including the Ninth Symphony. Many people have written about Beethoven’s deafness and speculated how he might have been able to compose despite his disability. Robin Wallace, however, is the first musicologist to write about Beethoven’s life and music who has had an intimate experience with deafness. Hearing Beethoven: A Story of Musical Loss and Discovery published by University of Chicago Press in 2018 pairs a new consideration of the effects of Beethoven’s deafness on his life and music with a loving memoir of the last years of Wallace’s first marriage after his wife, Barbara, suddenly lost her hearing. Written for a general audience as well as musicologists, in Hearing Beethoven, Wallace applies what he learned from Barbara’s experiences to Beethoven’s life. Wallace focuses on three main areas: Beethoven’s social li

In Burning Down the Haus: Punk Rock, Revolution, and the Fall of the Berlin Wall (Algonquin Books, 2018), Tim Mohr examines East Germany punk rock and its role in the collapse of the East German dictatorship. Starting in the late 1970s, a small group of East Berlin teens started listening to the Sex Pistols through British military radio broadcast to troops in West Berlin. Punk became life-changing. With so much future dictated for teens by the East German dictatorship, punk was a revolutionary philosophy that gave the youth a way to reject the society around them and build a new one. In Burning Down the Haus, Mohr shares the stories of the early punk scene as it formed in East Berlin, as youth formed bands and created sites of resistance. Mohr relates how the youth endured torture by the Stasi (East German secret police), being spied on by friends and their families, being fired from jobs and expelled from school, and imprisoned and beaten by police. The punks fought back, pushing to bring down the East Germ

Katherine Preston’s new book, Opera for the People: English-Language Opera & Women Managers in Late 19th-Century America (Oxford University Press, 2017) is the first complete overview of the repertoire, companies, performers, and managers that provided English-language opera to Americans after the Civil War. Preston is one of the pioneers of the musicological study of American musical culture during the nineteenth century. In one of her earlier books, Opera on the Road: Traveling Opera Troupes in the United States, 1825–60 (University of Illinois Press, 1993), Preston established that opera was one of the most popular forms of entertainment in the United States. In Opera for the People, Preston focuses on English-language opera companies that traveled throughout the United States during the second half of the nineteenth century bringing European operas and operettas performed in English translation to big cities and small towns alike. She argues that the middle-class audience cultivated by English-languag

On its back cover, Patrick B. Mullen’s Right to the Juke Joint: A Personal History of American Music(University of Illinois Press, 2018) is aptly described as “part scholar's musings and part fan's memoir”. Mullen is professor emeritus of English and folklore at the Ohio State University and across the eight chapters that make up this book, he enthusiastically and engagingly describes his many encounters with a wide range of vernacular musics throughout the north American continent and details his experiences with the musical genres, performers, events, and songs that have shaped the soundscape of his life. As his fellow music scholar, E. Cecilia Conway puts it: this “book lets us ride shotgun with Mullen on his journey from Beaumont, Texas boy to Ohio professor to dancing to 'Don't Be Cruel' and 'The Twist' amidst the diversity of American Music. Read Pat Mullen at his expansive best."Rachel Hopkin is a UK-born, US-based folklorist and radio producer and is currently a PhD candidate at the Ohio State Univers

McKenzie Wark’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention. The chapters of General Intellects: Twenty-One Thinkers for the Twenty-First Century (Verso, 2017) introduce readers to important work in Anglophone cultural studies, psychoanalysis, political theory, media theory, speculative realism, science studies, Italian and French workerist and autonomist thought, two “imaginative readings of Marx,” and two “unique takes on the body politic.” There are significant implications of these ideas for how we live and work at the contemporary university, and we discussed some of those in our conversation. This is a great book to read and to teach with! Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here.Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book Music Wars: Money, Politics, and Race in the Construction of Rock and Roll Culture, 1940–1960(Lexington Books, 2018), John C. Hajduk examines the emergence of a “rock and roll culture” in mid 20th century America. Professor Hajduk’s focus is on “gatekeepers” such as record executives and musician’s union leaders, all of whom operated in a highly charged environment where financial, racial, and political considerations mutually impacted one another.Drawing on archival materials, a variety of contemporary music industry publications, and a wide range of secondary literatures, Hajduk argues that mid 20th century discussions about race, class, and culture were deeply inseparable from the role that live and recorded music played in popular culture in that same period. These themes take Music Wars through chapters on disputes over radio play, jukeboxes, and communism, culminating in a discussion of the infamous  “Payola Scandal,” which resulted in corporate assertion of control over rock and ro

Billie Holiday is one of the most iconic jazz performers of all time. Her voice is certainly unmistakable but for many her religious sensibilities may be invisible. In Religion Around Billie Holiday (Penn State University Press, 2018), Tracy Fessenden, Professor in the School of Historical, Philosophical, and Religious Studies at Arizona State University, delineates the religious worlds that shaped Holiday and her music. Fessenden takes the reader through Holiday’s short but full life by placing it within the contexts of Catholicism, black vernacular music, Jazz compositions, and the culture of American celebrity. She shows how race, gender, and religious conditions guided her sound and formed the prism through which her genius shone. In our conversation we discussed Holiday’s early Catholic formation, the Jewishness of the American songbook, Afro-Protestant notions of redemption, confessional performance, the eclectic religious orbits of her jazz contemporaries, Strange Fruit and the vigilante faith of some

Although bluegrass music is typically associated with the bluegrass state of Kentucky and Appalachia, the genre is actually played in many pockets all around the world.  In Czech Bluegrass: Notes from the Heart of Europe (University of Illinois Press, 2017), Lee Bidgood explores the popularity of bluegrass in the Czech Republic.  Bidgood is an associate professor of bluegrass, old-time, and country music studies in the Department of Appalachian Studies at East Tennessee State University and an accomplished musician himself.  He begins his study with a description of the development of the cultural landscape within this central European nation and explains how a confluence of factors within that landscape – not least a fascination with American pop culture and the appeal of the rural – led to the popularity of bluegrass music within certain circles, and also discusses how the genre was able to survive under Communism.  In addition, Bidgood’s investigation includes his exploration of some of the identity

Historians on Hamilton: How a Blockbuster Musical is Restaging America’s Past (Rutgers University Press, 2018), edited by Renee C. Romano and Claire Bond Potter, is a collection of essays about Lin Manuel Miranda’s hit musical, Hamilton. The show has taken Broadway and much of the United States by storm and is currently running on the West End in London as well. The popular interest in Alexander Hamilton prompted by the show’s success has generated new museum exhibits, numerous hot takes in the media, and even a successful effort to preserve Hamilton’s likeness on the ten dollar bill. The essays in this collection take on some of the questions and issues raised by the musical and its popularity. Some of the authors comment on the ways that Miranda’s interpretation of American history diverges from many historians’ understandings, while others take him to task for his portrayals of women and slavery. Miranda’s decision to cast non-white actors in most of the roles also comes under scrutiny in several essays. A

When talking about the American South in the second half of the twentieth century, popular discourse tended to fall into one of three camps (on occasion, two might coexist simultaneously): the “Vicious South” which was violent and regressive, the “Down Home South” which was traditional and family oriented, and the “Changing South” which was moving past its earlier racial strife. While the Vicious South archetype predominated and fit into a narrative that showed the South as un-American, unrepresentative of the larger country, and repressive, by the end of the 1960s perceptions of the South were changing. Americans in different parts of the country began to consider the different ways that the real or perceived culture of the South might offer solutions to racism, masculinity, modern ennui, and crime. Zachary Lechner’s The South of the Mind: American Imaginings of White Southernness, 1960–1980 (University of Georgia Press, 2018) looks at this cultural transformation in the United States in the period from 1960

In The Relentless Pursuit of Tone: Timbre in Popular Music (Oxford University Press, 2018), editors Robert Fink, Melinda Latour, and Zachary Wallmark curate a wide-ranging collection of essays about the function of tone and timbre in popular music. Comprised of four sections focused on genre, voice, instrument, and production, The Relentless Pursuit of Tone engages diverse popular music genres and employs varied theoretical and methodological approaches. The book begins with an ethnographic study about timbre in the 1990s Bay Area rave scene by Cornelia Fales. It concludes with a discussion about timbre in contemporary recording production and electronic dance music by Simon Zagorski-Thomas, along with an afterword by Simon Frith. In between are essays that engage tone in multiple musical genres such as death metal and country, in recording techniques like Auto-Tune and reverb, and through considerations of voice and assorted instruments, including the electric guitar and synthesizer. A companion website with

Religious music can be a source of comfort and release, but also a remembrance of sadness and loss. In Sense and Sadness: Syriac Chant in Aleppo (Oxford University Press, 2018), Tala Jarjour analyzes the Syriac chant sung in Aramaic used by the small Christian Suriyani community in Aleppo, Syria. The Suriyani are part of the Syrian Orthodox Church of the Antioch. Taking a multi-pronged approach, Jarjour undertakes a rigorous musical analysis of the Passion liturgy, while at the same time explaining the place of this music in the spiritual and emotional lives of the Suriyani people. She explores the music’s role in their community identity which she calls Suryaniness. Throughout its long history, the Syriac Church has always been in a marginal position and has endured many instances of discrimination and persecution. The community came to Aleppo after being forced to flee Turkey during World War One. Hanging over the book is the knowledge that since Jarjour conducted her field work the Suriyani have once more

In Riffs & Meaning: Manic Street Preachers and Know Your Enemy (Headpress, 2018), Stephen Lee Naish tells the story of Welsh rock band Manic Street Preachers’ 2001 album Know Your Enemy. The record’s engagement with diverse and unexpected musical influences, as well as its mixed reception by critics and fans alike, inspired Naish to uncover the ways in which the album’s subversion of expectations ultimately benefitted the work, allowing for a reconsideration if its impact. Riffs & Meaning contains musical histories of the band, including their launch of Know Your Enemy at a concert in Havana, Cuba; track-by-track analyses of the studio version of Know Your Enemy, along with the B-sides; interviews with fans about their feelings towards the record; and a discussion of the ways in which this release informed the band’s future musical directions. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues