Frost*collective

Collette Dinnigan has a storied history as one of Australia’s must successful fashion designers. Ever. But that’s just one chapter of her creative life.  Her adventurous spirit and love of colour, fabric and proportion make total sense in the context of her childhood. In the mid 70s, her father built a yacht and set sail from Durbin, South Africa for the world with his young family. When they settled in New Zealand her creative mother got involved in textile design, Collette would get the remnants and patterns, piecing them together into garments.  Her list of accolades is long. Collette became the first Australian to mount a full-scale ready-to-wear collection in Paris in October 1995, and in 1996 was invited by the Chambre Syndicale de la Haute Couture to show on the prestigious Paris Fashion Week schedule. By the early 2000s, she was the darling of the international fashion scene. Dressing celebrities who didn’t want to wear the old houses on the red carpet, but something more youthful and new. In 2013, sh

Born in the small town of Hastings, New Zealand, Derek grew up in a working-class family with limited financial means and modest aspirations. His unexpected passion for photography ignited when he was a young bank teller and noticed a wedding photographer's bank statement, revealing the potential to make a living from photography. This serendipitous moment set Derek on a journey that has taken him around the world, from Sydney to Los Angeles, London, and back to Sydney. Along the way, he has worked with high-profile names such as Stella McCartney, David Walsh (MONA) and Donald Trump (in his pre-President days).  Throughout his career, Derek has learned that mastering photography goes beyond understanding technical aspects like light, composition, and form. It's equally about communication, direction, and most importantly, honesty. “That’s kind of all you have – honesty. I think people appreciate you when you are honest with them”.  It’s this kind of transparency that helps him capture the best images and achi

In some families, the parents’ DNA instructs so clearly the way their children think and work that it’s impossible to deny the familial impact. Jason Bruges is the product of just this. His dad was a software and computer engineer, and his mother a trained artist. Both influenced where and how he came to be a multidisciplinary artist and designer. His eponymous Jason Bruges Studio is internationally renowned for creating interactive spaces and surfaces that sit between the world of architecture, site specific installation art and interaction design. Considered a pioneer of this hybrid in-between space, Jason has subsequently paved the way for a new genre of design studios, artists and designer-makers. After graduating from Oxford Brookes University in London, Jason borrowed £1,000 from his dad for an airline ticket and flew to Hong Kong to meet his grandfather at the airport. He’d only met him a handful of times before. Within weeks he had a job offer from the famed architect Norman Foster. This later led to

In today’s economy, people are more considerate about what they’ll spend money on, retailers have to fight to hold or grow their market share. If there’s one person who knows this better than most, and will be the first to step into the ring, it’s Felicity McGahan. McGahan is the Group CEO of STRAND, the Australian handbags and luggage retailer, where she is leading a transformational vision for growth by modernising, digitising and internationalising every aspect of the business. Backed up by 20 years at Gap, where she left as VP or North America Marketing, and key executive roles at Reebok, Sportsgirl, Esprit, Cotton On and Sussan, she’s been with amazing brands at the right time. And been mentored by best-in-class leaders, building a reputation for successfully evolving brands for growth.   Her career in retail isn’t a total surprise. Her Dad had a chain of footwear stores, and her mum was the original Sportsgirl, modelling for the iconic Australian retailer through the 70s and 80s before becoming their ev

What does it mean to exist professionally as an artist? Does being business minded compromise an artist’s creativity? If it’s a frank discussion on the topic you’re after, Ramesh Mario Nithiyendran is the artist to have it with.  Nithiyendran is a Sri Lankan born contemporary artist whose work is often described as bold, hyperbolic, exaggerated and expressive. He’s achieved huge success in his decade-long career — his artwork has been presented in museums, festivals and the public domain, including significant presentations at the National Gallery of Australia, The Art Gallery of New South Wales, The Dhaka Art Summit and Art Basel Hong Kong. In 2019, he received a Sidney Myer Creative Fellowship recognising his outstanding talent and exceptional professional courage, and his 368-page monograph, titled RAMESH, was published by Thames & Hudson in 2022. Heavily influenced by his upbringing as a Tamil migrant in Sydney’s west, Nithiyendran was an incredibly high achiever academically, but it wasn’t until he a

Some people take a lifetime to find their true north, the thing they want to spend their days working on. That’s not the case for Sean Perkins. Growing up in South Yorkshire in the 70s, it wasn’t cool to get good grades. Even though he was smart, he flunked almost everything. Everything, but art. From a young age he was exposed to, “the future, all this incredible visual culture”, by way of Japanese mementos his dad would bring back from work trips to Tokyo. And the fashion his mum would wear after disappearing to the fashion shows in Paris to stock her boutique in Huddersfield. Today, he’s one of the most influential graphic designers of our time. He’s created visual identities for some of the world’s most recognisable brands with his London-based studio North Design. And the brands and clients relationships he builds — they stand the test of time. Some of his identity systems are still being used 20+ years after he and his partners Jeremy Coysten and Stephen Gilmore first created them. Think Tate Modern, Ba

Not every path to success is a straight one. Mike Tosetto knows this firsthand. From growing up in Sydney’s Inner West as a skate kid who took photos with a disposable camera of the local street art — or, as her calls it, ‘mad graph’ — to living out back for two years at Ayres Rock Resort, to playing didgeridoo on stage at the Glastonbury music festival. His path has been anything but direct. After realising his job at a supermarket chain wasn’t going anywhere, he got a job at a publishing house, and started hanging around the graphic design department and tinkering with computers with the IT guys. But it was when he stumbled upon a University of Sydney open day that things really started to unfold in the right direction. He got into a digital media master’s degree, and his path was set. Today, Mike runs one of the foremost animation studios in Australia. Creating motion branding for businesses like Samsung, Adobe, Adidas, Microsoft, Google, Binge and Bugatti, translating strategic concepts into motion. Liste

Hurricane Katrina and the Northern Rivers Floods may have happened over a decade apart and on opposite sides of the world. But the disasters have a lot in common. New Orleans and Lismore found themselves caught in the eye of the storm when the cities, both located for prosperity around a major waterway but on compromised ground, were inundated by water and devastated in the process.  The other thing these disasters have in common are Elizabeth Mossop and Dan Etheridge. The academics met in New Orleans at a two-day symposium called ‘Reinhabiting NOLA’ in the aftermath of Hurricane Katrina. Mossop was instrumental in the creation of the Coastal Sustainability Studio at Louisiana State University, a multi-disciplinary research laboratory that has been profoundly influential in the direction of Louisiana’s efforts in resilience planning and design. Etheridge worked for Tulane University helping to establish applied research coastal restoration programs. The two clicked and stayed in close contact, but they could

How much does your environment shape your life, and what can city-makers do to make our lives better? Michael Stott has spent over 25 years crafting narratives for cities around the world, considering how they can be made better for the people who inhabit them. As Head of Cities and Places, Masterplanning & Urban Design at DBI, one of Australia’s foremost multidisciplinary design practices, he’s at the forefront of Brisbane’s evolution as a global city in time for the 2032 Olympics. Stott grew up in the picturesque Vancouver seaside communities of White Rock and West Vancouver, and he credits his childhood exploring the vast landscapes of his home country with setting the tone for his life. And his fascination with balancing the scale of small and big when it comes to shaping cities.  He credits his journey from art into linguistics, architecture, design and finally planning with his interest in understanding the pattern language of cities and how they speak to us. Listen in as Vince and Michael discuss;

In life and in business, how big a part does luck play in our success? And are our good ideas really good at all? Professor Frederik Anseel is the newly appointed Dean of the University of New South Wales’ Business School and an expert in what works, and what doesn’t, in business. He’s spent his career researching organisational psychology, leadership, how to motivate people, how to treat colleagues with respect and how to be authentic. It’s this combination of the study of management and psychology that changed from a very niche field to one of wide-spread interest during the COVID pandemic. Anseel grew up in a small town 15 minutes from the French border in Belgium, where education, even university, is free for all. One side of his family are engineers, the other teachers. It’s clear how his upbringing has defined his view of life, value of education, and area of academia.  Listen in as Vince and Frederik discuss; how the 2008 GFC shifted the narrative for the hero CEO paradigm, the art of getting office po

In the 80s, Stiff Records, the British independent Punk Rock and New Wave record label, had an open-door policy. You could walk in and pick up posters, stickers and pin badges most days of the week. Jeremy Leslie was one of the kids doing just that. He’d catch the bus over to Notting Hill from the London College of Design to visit the shop. Originally, he was there for the music, but it was the storytelling in the design that made a lasting impression. Leslie is an internationally recognised creative who’s been making magazines for over four decades. He’s also the founder of magCulture, the iconic London magazine shop. After having his eyes opened to the world of design by a thoughtful art teacher, he’s gone on to art direct quarterlies, monthlies and weeklies, and spent the noughties developing award-winning magazines at John Brown Publishing. He’s written four books about editorial design, and in 2018 was awarded the Mark Boxer Award by the British Society of Magazine Editors for services to the magazine in

You could argue a lot of kids grow up with a love of drawing. This one knew he wanted to be an architect in high school. When his older brother brought home some Rotring pens, it all clicked. Domenic Alvaro is the Director and Global Design Leader at Woods Bagot, one of the world’s leading architecture firms. Drawing is a huge part of his professional practice to this day. He’s a long-term collaborator of Frost*collective and someone the studio is immensely proud to have worked with over the years. Dedicated to agitating traditional typologies, he is an architect who breaks from convention to unlock spatial potential. He’s led projects all over the world, ranging from mixed use developments that redefine the way nature can be woven into a city, experiential large-scale transportation links, landmark commercial precincts, holistic masterplans and residential that defines the way we will live tomorrow.  Listen in as Vince and Domenic discuss why micro projects like his globally award-winning Small House have re

Having a knock-out creative career five decades long is one thing. Setting up a charity to inspire the same creativity in the next generations is another. But the iconic British design duo, who are also husband and wife - Sir John Sorrell CBE and Lady Frances Sorrell CBE - have done just that. Frances and John started their lives in design both aged of 14 when, in different parts of London, they attended free Saturday morning classes at their local colleges of art and design. Neither were from well-off families. John had never been to an art gallery and most of his peers were dropping out of school aged 15 to get jobs. The experience was a revelation that paved the way for full-time study and their careers in design. It was also the prime motivation for the formation of the Sorrell Foundation in 1999 with the aim of inspiring creativity in young people to change their lives and make the world a better place. After meeting through work, the Sorrell’s launched their now legendary design studio, Newell and Sorre

People are considered lucky when they find something they’re skilled at and love, then make it their vocation. Growing up with a parent they’ve inherited that skill and passion from helps, especially when they’re exceptionally talented. Both Louise Olsen and Stephen Ormandy have parents who helped them on their path to a life shaped by creativity. Olsen’s father, John Olsen, who passed away aged 95 in 2023, is arguably Australia’s most famous artist. Her mother was a painter, too. Ormandy’s mother was a sculptor, who tirelessly championed his creative pursuits. He knew he wanted to be an artist from age five. After meeting on the first day of art school in Sydney — it was love at first sight, depending on who you ask — the two became best friends. After graduation, they set about creating a tangible product people would want to buy. By the late 80s they were making jewellery for Kylie Minogue and INXS and opening a tiny shop in Sydney’s Strand Arcade. Dinosaur Designs, their jewellery and homewares business,

Being driven is one thing. But being driven by trauma is another. It’s a special kind of motivation, and when combined with a competitive nature and natural feel for what an audience wants, great things can be achieved. Aidan Anderson is the Founder and CEO of The Local Project — the fastest growing design platform in the Asia-Pacific region. The platform is followed by design and architecture lovers worldwide, and champions authentic design, showcasing and supporting architects, designers, makers and suppliers. Incredibly, he started it by profiling his friends and local makers on an Instagram account run from his dusty furniture workshop. The Local Project now has an audience of over 4 million across print, video, digital and social media. Anderson has no formal training, and has always just made the content he wants to see. He first fell in love with design and architecture working on building sites to make extra money in the summers of his teenage years. The furniture workshop opened when he dropped out o

There’s an art to bringing history into modern creativity as more than a reference.  Sibella Court is adept at it. The creative director, author and interior and product designer has made a career out of creating with her love of history at the forefront. When you learn she grew up with two incredibly creative parents — a builder father skilled in transforming spaces and a mother who specialised in Central Asian textiles — her multifaceted creative career comes as no surprise.  After studying history at university in Sydney, and getting a start at Australian Vogue, she spent a decade shooting editorial in New York. Since returning to Australia in 2006, she’s written and published six books, hosted a TV series, and designed the interiors for some of Sydney’s best-known restaurants and bars, including Mr Wong's and Palmer & Co.  Listen in as Vince and Sibella Court discuss her lifelong love of history, working at Australian Vogue in the early 90s and the seismic impact the death of a parent can have.  https

For a small country with a small population, the Danes are incredibly well-known on the global stage as highly skilled when it comes to design. In Viggo Haremst’s case, he knew he wanted to be an architect, like his father, very early in life. But he credits his Swedish mother for his commitment to process and detail. As a Design Director and Partner at the prominent Danish architecture firm Henning Larsen he steered the winning proposal for the Canberra Theatre Centre and is leading the city-shaping Lighthouse at Darling Park in Sydney. The practice believes good design begins with curiosity, and is leading the world when it comes to evidence-based building design with a focus on investigating and prototyping innovation in sustainability. Viggo is a sought-after keynote speaker who delivers insights into Henning Larsen’s design method and projects, and the future of workspaces.  Listen in as Vince and Viggo discuss learning about limits from Zaha Hadid, how to create a longer life cycle for a building and wh

How much do the environments we inhabit impact our health and wellbeing? And does our emotional state impact our physical health? Dr. Esther Sternberg is internationally recognised for her discoveries in the science of the mind-body interaction in illness and healing, and the role of place in wellbeing. She is a pioneer and major force in collaborative initiatives on mind-body-stress-wellness and environment interrelationships.  Her inspirational and popular books — there are three, the latest ‘WELL at WORK: Creating Wellbeing in Any Workspace’ has just been released — are backed by science and are changing the way we design public and private places for people. Dr. Sternberg’s list of achievements is extensive. She’s advised the World Health Organization and the Vatican, and briefed high level U.S. Federal Government officials. She’s also moderated a panel with the Dalai Lama and been recognized by the National Library of Medicine as one of the women who ‘Changed the Face of Medicine’. She has authored over

When we think of life on earth in the context of the universe, being human can seem absurd. That’s what British artist and illustrator Paul Davis thinks. When he was 17, growing up in Somerset in England, his father died suddenly. But he’d already taught him everything he needed to know about space, time and human existence.  Davis’ sometimes controversial work has been widely published and exhibited. He’s regularly commissioned by international broadsheets and magazines, has created animated idents for BBC Radio 4, and his handwriting has been used in animated adverts for American Express.  The artist’s craft is born from a deep curiosity about the idiocy and beauty of being alive. And a compulsion to make art as a form of therapy. He doesn’t just want to make art. He has to. And he’s not shy about being satirical. Despite a long battle with alcoholism (he’s been sober for over six years), his work has made him a London icon.  Listen in as Vince and Paul discuss his experience of alcoholism and thoughts on A

The craft of graphic design has changed dramatically since the 80s. Computers. The popularisation of branding. Over the past four plus decades John Rushworth, the design behemoth Pentagram’s longest serving partner, has seen it all. Despite these seismic shifts, he believes the thinking and innate human ability it takes to do truly impactful work hasn’t changed.  Rushworth has had a huge impact on the world of design. He’s delivered graphic solutions to clients across almost every industry from Polaroid to Great Western Railway with his in-dept approach to design. Working closely with his clients, he works to draw out what it is that truly makes them who they are. Then turns them into strategically focused and visually compelling brands. He’s also had a huge impact on Vince Frost – he was his boss at Pentagram and the person who has influenced his career and design philosophy more than any other creative.  Growing up in working class Yorkshire, he’d never heard the word design. It was a student teacher at his