New Books In Music

During a seven-decade career that spanned from 19th century Vienna to 1920s Broadway to the golden age of Hollywood, three-time Academy Award winner Max Steiner did more than any other composer to introduce and establish the language of film music. In Music by Max Steiner: The Epic Life of Hollywood’s Most Influential Composer (Oxford University Press, 2020), the first full biography of Steiner, author and filmmaker Steven C. Smith interweaves the dramatic incidents of Steiner's personal life with an accessible exploration of his composing methods and experiences, bringing to life the previously untold story of a musical pioneer and master dramatist who helped create a vital new art with some of the greatest film scores in cinema history. Stephen C. Smith is a film documentarian, with four Emmy nominations and 16 Telly Awards. Joel Tscherne is an adjunct history professor at Southern New Hampshire University and tweets @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices

In White Negroes: When Cornrows Were in Vogue ... and Other Thoughts on Cultural Appropriation (Beacon, 2019), Lauren Michele Jackson analyzes Christina Aguilera, high fashion, the conceptual poetry of Kenneth Goldsmith, digital blackface, and the dearly departed video platform Vine. She demonstrates that cultural appropriation (especially of Black culture by white artists) is prevalent and deeply rooted in America’s history of inequality. Beyond that, though, she explores why white artists feel drawn to appropriate Blackness: what does appropriated Blackness give to white artists? Status? Sex appeal? Avant-garde credibility? Funding? And why doesn’t it give those same things to Black artists? White Negroes is a timely and engrossing (and funny) work of cultural criticism from a major new critical voice. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been prod

In 1933, the Chicago Symphony performed the Symphony in E Minor by Florence B. Price. It was the first time a major American orchestra played a composition by an African American woman. Despite her success, Price sank into obscurity after her death in 1953. Dr. Rae Linda Brown spent much of her career researching and writing about Price’s life and music, as well as advocating for African American representation in academia and in the concert hall. Three years after her death, University of Illinois Press published the manuscript she left largely complete at her passing: Heart of a Woman: The Life and Music of Florence B. Price (University of Illinois Press, 2020). Two guests join this podcast to talk about the biography—Dr. Carlene Brown, Rae Linda’s sister, and Dr. Guthrie Ramsey, who edited the book and prepared it for publication. Heart of a Woman places Price’s life and music within the context of genteel middle-class African American culture and the active black classical music scene in Chicago in the 19

How have we used twentieth- and twenty-first-century sound technologies to carve out sonic space out of the hustle and bustle of contemporary life? In search for an answer, in this episode I speak with Mack Hagood, Blayney Associate Professor of Comparative Media Studies at Miami University, writer, and podcaster about his book, Hush: Media and Sonic Self-Control (Duke University Press, 2011). In Hush, Hagood examines a variety of twentieth- and twenty-first-century technologies of sonic self-control that includes nature recordings, clinical audiometric tools, and “sound conditioners” through to top-selling white noise apps and the noise-canceling headphones offered under the commercially succesfull Bose and Beats brands. What this assortment of tools and technologies have in common, Hagood argues, is that they are all “orphic media”: kinds of media that carry or generate content that is designed to efface itself as such. Orphic media can be understood as tactics and technologies that offer us respite from po

How has social media changed inequality in the cultural industries? In The Politics of Expertise in Cultural Labour: Arts, Work and Inequalities (Rowman and Littlefield, 2020), Karen Patel, AHRC Leadership Fellow based at Birmingham Centre for Media and Cultural Research, Birmingham City University, considers the idea of expertise in cultural labour, examining how it is understood and displayed by cultural workers. The book draws on an extensive and deep engagement with key theories of work, expertise, and culture, as well as offering detailed empirical case studies of the everyday working lives of creative practitioners. Moreover, by analyzing the impact and importance of social media, the book offers an important insight into how inequality functions even where technology seems to offer an end to cultural hierarchy. The book is essential reading across the humanities and social sciences, as well as for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his book The Globally Familiar: Digital Hip-Hop, Masculinity, and Urban Space in Delhi (Duke University Press, 2020), Gabriel Dattatreyan departs from the existing literature on masculinity in India, which focuses on largely middle-class, upper-caste embodiments of the same. His focus is on non-elite, urban, lower caste/class embodiments of masculinity, in the context of globally familiar soundscpaes, images and aesthetics. There is an interesting way in which the author provides a nuanced understanding of the “other”, which takes into account the heterogeneity of those who are usually lumped together in the category of that “other”. The book provides not just caste, and regional contexts for these “working class” men but also lays out the generational shifts in the “aspirations” and future imagination of these young men. This futurization of urban participation then is highlighted in conversation with the official, policy and bureaucratized imaginations of the urban and urban Delhi in particular. In doing

Mitchell and Trask’s Hedwig and the Angry Inch (Routledge, 2019) is Caridad Svich’s love letter to the 1998 musical that introduced the world to its favorite East German ex-pat genderqueer rock star, Hedwig. A tribute both to the New York that spawned the musical and the glam rock that inspired it, this book contextualizes the show in a way that allows the reader to appreciate both its “ahead of its time” daring and its retro cool. This is a book for long-term “Hedheads” and new converts alike. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His

The reissue and revision of Martin James’ State of Bass: The Origins of Jungle/Drum & Bass (Velocity Press, 2020) examines the origins and progression of British Junglism in the 1990s. Rave culture’s clashes with UK government and police drove the scene into a dark space, but jungle/drum & bass emerged to capture a new audience of youth, creating what James labels as the first truly Black British music scene. James draws on interviews with key participants in the early junglism scene, examining social, cultural, and musical roots of the scene that became a global phenomenon. Originally published in 1997, State of Bass: The Origins of Jungle/Drum & Bass extends the original text to include the award of the Mercury Prize to Reprazent and brings new perspectives to the story of the UK’s most crucial subterranean scene. Martin James is an internationally published music critic who has contributed to some of the UK’s leading music magazines. Rebekah Buchanan is an Assistant Professor of English at Western Illinois

Gertrude Hoffman is one of many entertainers who were big stars in vaudeville before World War I, but whose celebrity faded as the American public was seduced by radio and film after the Great War. Sunny Stalter-Pace recounts Hoffmann’s groundbreaking career and contextualizes her work as a dancer, comedienne, producer, and choreographer in the American cultural landscape in Imitation Artist: Gertrude Hoffman’s Life in Vaudeville and Dance (Northwestern University Press, 2020). Hoffman brought European modern dance to a mass American audience through her imitations, vaudeville revues, and touring show recreating some of the Ballet Russes’s iconic dances. She served as a conduit between the avant-garde and commercial theater through a deft combination of highbrow and lowbrow in each of her projects. More than a simply a stage performer, Hoffman was also the first woman stage manager and choreographer on Broadway, and a prolific producer both during and after her stage career was over. Intersecting with figures

Junior Tomlin: Flyer & Cover Art (Velocity Press, 2020) showcases the artwork of Junior Tomlin. Featuring flyers and record covers Tomlin has created for the rave scene starting in the late 1980s, this is the first book which comprehensively and cohesively documents his work in this important UK subculture. Raised in Ladbroke Grove, west London, Tomlin’s Afrofuturism work is influenced by surrealism, science fiction, futurism, and comics. Tomlin has been dubbed “The Salvador Dali of Rave” and this magnificent collection of his work speaks to why.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In Judy Garland's Judy at Carnegie Hall (Bloomsbury Academic, 2020), Manuel Betancourt explores what makes Judy Garland’s landmark album great, and why it holds such a central place in queer culture. A hit when released in 1961 (it was the first album by a woman ever to win the Grammy award for Best Album), Judy at Carnegie Hall quickly came to occupy a central place in the gay imaginary. And yet by 1967 characters in the play The Boys in the Band would mock Judy fandom as the height of outdated cliché. What accounts for Judy Garland’s strange temporality, somehow always so ten years ago? Why is there such an intense association between Garland and nostalgia, and between Garland and nostalgia’s twin, failure? Why can we accept Judy Garland as a comeback kid but not as a success? Betancourt’s book explores these questions and more in a deep dive into the nature of queer fandom. Manuel Betancourt is a writer based out of Los Angeles. He earned his Ph.D. in English Literature from Rutgers University, USA. Andy B

What is the place of classical music in contemporary society? In Composing Capital: Classical Music in the Neoliberal Era (University of Chicago Press, 2019), Marianna Ritchey, an assistant professor of music history at the University of Massachusetts, Amherst, explores the relationship between neoliberal capitalism and classical music, showing how many of the democratizing and innovative elements of the genre go hand-in-hand with corporate power. Using detailed social and musicological studies of key composers, movements, opera companies, and tech advertising, the book offers a critical but sympathetic analysis of the potential, but also the limits, of classical music. Accessibly written, blending critical theory with contemporary case studies the book will be essential reading across arts and social sciences, as well as for business and technology scholars. Learn more about your ad choices. Visit megaphone.fm/adchoices

“What makes song sparrows, Verdi, medieval monks, and minstrelsy part of the same taxonomy?” So asks—and answers—Rachel Mundy, who is Assistant Professor of Music at Rutgers University–Newark. In her book, Animal Musicalities: Birds, Beasts, and Evolutionary Listening (Wesleyan University Press, 2018), Mundy shows how the history of the humanities is intimately connected with the lives of animals. Focusing on animal musicality, with a particular emphasis on birdsong, Mundy recounts dozens of twentieth-century encounters—in North America, Europe, and Africa—between animals and human researchers working in a variety of fields, work we now recognize as belonging to the disciplines of evolutionary biology, anthropology, ethology (the study of animal behavior), and ethnomusicology. Carefully attending to the value that was assigned to animal life in the lab and in the field, Mundy relates the story of how lives that were figured as non-human or less-than-human shape the received accounts of human and animal behavi

We might call movies made before the advent of the talkies in 1927 silent films—but for the audience, they were certainly not silent. Live orchestras and solo instrumentalists accompanied early movies, adding evocative music drawn from pre-existent and newly composed sources. Kendra Preston Leonard, author of Music for the Kingdom of Shadows: Cinema Accompaniment in the Age of Spiritualism (Humanities Commons, 2010) examines the music and musicians that accompanied silent movies that she calls “spirit films” and along the way finds unexpected connections between film accompanists, mediums, and Spiritualism. A “spirit film”—unlike a horror movie—is a film that features the appearance of spirit or ghost who tries to warn the living of, or protect them from, a dangerous circumstance, often caused by business the spirit left unfinished at their death. White middle-class women were regularly employed as film accompanists and mediums, their gender and race contributing to the respectability of both Spiritualism and

In Cool Town: How Athens, Georgia, Launched Alternative Music and Changed American Culture (University of North Carolina Press), Grace Elizabeth Hale tells the epic story of the Athens, Georgia music scene. Hale explains how a small college town hard to get to even from Atlanta gave rise to dozens of great bands. Some of them are household names like R.E.M. and The B-52’s, but perhaps more interesting is the great music you might not know: the jittery dance-punk of Pylon, or the anguished, poetic songwriting of Vic Chesnutt. Hale also explores how these bands negotiated questions of race, class, sexuality, and authenticity. Cool Town shows how Athens, Georgia created a model of how you could “make it” without ever leaving your small town, and how a homegrown scene could feel like the biggest thing in the world. Grace Elizabeth Hale is the Commonwealth Professor of American Studies and History at the University of Virginia. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwrit

In Everything Man: The Form and Function of Paul Robeson (Duke University Press, 2020), Shana Redmond explores the ways in which Paul Robeson, silenced by state repression in his lifetime, still speaks to us today. Through explorations of Robeson’s genre-defying genius as well as reflections on how Robeson’s legacy continues today, Redmond re-contextualizes Robeson as a thoroughly contemporary figure. Robeson’s brutal mistreatment by the US government provides a case study in how far our supposed democracy will go to crush dissent, particularly black radical dissent. Still, his vision of anti-racism grounded in global solidarity and anti-capitalism is perhaps more necessary now than ever. Redmond points out that the word that Robeson sang about Joe Hill are true also of him: “I never died, said he.” Shana Redmond is Professor, Global Jazz Studies Musicology, UCLA Herb Alpert School of Music. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia Univ

On this episode of the New Books Network, Lee Pierce (s/t) interviews Rebekah Farrugia and Kellie D. Hay of Oakland University on their new book Women Rapping Revolution.(University of California Press, 2020). Detroit, Michigan, has long been recognized as a center of musical innovation and social change. Rebekah Farrugia and Kellie D. Hay draw on seven years of fieldwork to illuminate the important role that women have played in mobilizing a grassroots response to political and social pressures at the heart of Detroit’s ongoing renewal and development project. Focusing on the Foundation, a women-centered hip-hop collective, Women Rapping Revolution argues that the hip-hop underground is a crucial site where Black women shape subjectivity and claim self-care as a principle of community organizing. Through interviews and sustained critical engagement with artists and activists, this study also articulates the substantial role of cultural production in social, racial, and economic justice efforts. Resources men

To what degree did each of The Beatles exhibit emotional intelligence in the band’s final year? You'll find out in the discussion I had with Kenneth Womack about his new book Solid State: The Story of Abbey Road and The End of The Beatles (Cornell University Press, 2019). Womack is the author of a two-volume biography of the life and work of Beatles producer George Martin. His forthcoming book, John Lennon, 1980: The Last Days in the Life, will be available in October 2020. Topics covered in this episode include: --Womack explains what Solid State refers to and where Abbey Road might rank in the band’s legacy. (Fortunately, the Magical Mystery Tour album wasn’t a top-three choice of his!) --Using the Big 5 model for personality traits, what might be the dominant traits of The Beatles given the options of openness, conscientiousness, extraversion, agreeableness, and neuroticism. --Why the band had reached a point where, like a bad marriage, it couldn’t survive any longer. For a transcript of this episode, clic

Most books about American music ask how it sounded, who wrote it, or who performed it. In his new book, Everybody’s Doin’ It: Sex, Music, and Dance in New York, 1840-1917 (Norton, 2019), Dale Cockrell asks a different question: where is American music? His answer is in the brothels, dance halls, concert saloons, and cabarets of nineteenth-century New York City. Cockrell tells a story of popular music created and enjoyed within a sexualized and commercial environment that featured robust and constant exchange between black and white people during slavery times and the deepening segregation of Reconstruction-era America. Weaving together material from police reports and governmental investigations, Cockrell has found a rich source of information about the life of working-class people in urban America, and in the process has uncovered a network of musicians and spaces that nurtured American popular culture. These places of unbridled behavior were sometimes sites of degradation including for the prostitutes force

Brian Greene is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the World Science Festival. He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe (Random House, 2020) Until the End of Time gives the reader a theory of everything, both in the sense of a “state of the academic union”, covering cosmology and evolution, consciousness and computation, and art and religion, and in the sense of showing us a way to apprehend the often existentially challenging subject matter. Greene uses evocative autobiographical vignettes in the book to personalize his famously lucid and accessible explanati