New Books In Music

Nick Prior—Professor of Cultural Sociology at the University of Edinburgh—discusses his new book, Popular Music, Digital Technology and Society (SAGE Publications, 2018). The book explores the social, cultural and industrial contexts for the changes that have taken place in popular music since the widespread adoption of digital technology by creators, distributors, and listeners from the early 1980s onward. Joining insights from the sociology of culture with key analytic categories from science and technology studies (STS), Prior examines a variety of contexts in which these changes have been felt, including the novel spaces and structures of both music production and consumption afforded by digitalization, the co-construction of vocal subjects and vocal sound-processing technologies, the tactical use of portable media by young urbanites to mediate their relationship to the city, and the conjunction of music and play in the ever-growing video game sector. In addition to an acute sense for their embeddedness i

On this episode, Lee Pierce (she/they) interviews Stacy Wolf of Princeton University about her book Beyond Broadway: The Pleasure and Promise of Musical Theatre Across America (Oxford University Press, 2019), an exploration of the complexities of amateur and local theatre across the United States. From backstage moms to tiny divas to dinner theatres, Wolf demonstrates that this charming pastime of American culture that is anything but past. On the contrary, musical theatre continues to be an important culture touchstone for many and a pipeline to national phenomenon such as the High School Music franchise. Told in a stunning voice with a wealth of attention to its case studies and examples, Beyond Broadway feels like backstage pass combined with a cross-country road trip in early Fall. A must read for anyone interested in the untold story of musical theater, American culture, and truly embedded ethnography with a ground-up point of view. I hope you enjoy listening as I much as I enjoyed chatting with Stacy ab

How does technology shape music? In Digital Sampling: The Design and Use of Music Technologies (Routledge, 2019), Paul Harkins, a lecturer in music at Edinburgh Napier University, looks at the relationship between the rise of digital sampling, technology, and music. The book draws inspiration from Science and Technology Studies to explore the impact of specific technologies, such as the Fairlight Computer Musical Instrument, programming languages, and studio practices, on artists and producers. The analysis also thinks through the evolution of digital sampling across a variety of genres, including pop, folk, and hop-hop. Drawing on a wealth of examples, the book is essential reading for anyone interested in the history of music, the history of technology, and the history of contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

How do young men use drill music and social media to gain power? In his new book, Ballad of the Bullet: Gangs, Drill Music, and the Power of Online Infamy (Princeton University Press, 2020), Forrest Stuart uses ethnographic and interview methods to explore the lived experiences of young men on Chicago’s south side. Stuart peels back the layers on what is commonly referred to as the digital divide, or the idea that there is unequal access to and use of technology, to instead find what he refers to as digital disadvantage (read the book to find out more!). The book tackles issues including who the audience really is for drill music and the social media output produced by these young men, and how they are sometimes exploited in the process. Exploration of authenticity, micro-celebrity, and self-branding contribute to larger understandings of race, stratification, and power in America. Sarah E. Patterson is a Postdoctoral Fellow at the University of Michigan. Learn more about your ad choices. Visit megaphone.fm/a

In his new book, Tween Pop: Children’s Music and Public Culture (Duke University Press, 2020), Tyler Bickford explores how the tween music market rose during the mid to late 2000s. Bickford addresses the ways in which the music industry seized only childishness as a key element in legitimizing children's participation in public culture. Starting with how Kidz Bop and Disney’s High School Musical (2006), Bickford argues that tween music culture flourished due to the commodification of childhood and the rise of television and pop music stars. Focusing on the ways that femininity and whiteness are markers are innocence and childhood, Bickford examines Miley Cyrus/Hannah Montana through a postfeminist discourse of work life balance, Taylor Swift’s longstanding relationship with girlhood and whiteness, and Justin Bieber’s label as child prodigy as a way to cement his position as a super star. In outlining how tween pop imagined and positioned childhood as both intimate and public as well as a cultural identity to

Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris, James T. Campbell, and Alfred L. Brophy, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day. The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as P

How does music help us to understand the contemporary city? In It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City (Manchester UP, 2019), Caspar Melville, co-chair of the Centre for Creative Industries, Media and Screen Studies at SOAS, University of London, explores three music scenes to tell the story of modern London. In doing so it rethinks the story of crucial cultural moments, such as the birth of acid house, and brings new depth and detail to research on cities and music. The book draws on extensive empirical material, foregrounding analysis of space, race, and music to deliver both a comprehensive history as well as a significant contribution to urban studies. The book is essential reading for music and social science scholars, as well as for anyone interested in London and its culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

Historians, musicologists, and sociologists have long studied the relationship between politics and music. Peter La Chapelle’s new book, I’d Fight the World: A Political History of Old-Time, Hillbilly, and Country Music (University of Chicago Press, 2019) traces interactions between country music and politics beginning with two late nineteenth-century politicians who fiddled to their supporters and ending with the 2016 election season. He establishes some long-standing associations between celebrity candidates, populist insurgents, outsider politics and country music. La Chapelle also does not shy away from exposing the ways that racist and anti-Semitic political figures have used country music to support their beliefs. While today many people think of country music as a politically conservative genre, La Chapelle brings to light a more complex story of politicians across the spectrum looking to country music to support their beliefs, publicize their campaigns, and establish their authenticity with their cons

Performance / Media / Art / Culture: Selected Essays 1983-2018 (Intellect Books, 2019) collects more than thirty years of critical writing by artist and writer Jacki Apple. These essays trace important developments in performance art both in the Los Angeles and New York scenes, discuss artists including Laurie Anderson, Spalding Gray, Meredith Monk, and Lin Hixson, and track cultural shifts such as the culture wars of the 1980s, the emergence of left-wing censorship in the 1990s, and the emerging ecological consciousness of today. An essential monument to performance practices that often left behind few records and produced scant archives but radically reshaped performance in the last quarter of the twentieth century. Andy Boyd is a playwright and podcaster. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions (Bloomsbury Academic, 2019), Thor Magnusson—musician, Professor of Future Music, and member of the Experimental Music Technologies Lab at the University of Sussex—provides a sweeping overview of the tools and techniques of music-making both before and after the dawn of computing as well a set of forward-looking strategies for thinking critically about our future relationship with new music technology. Importantly, Magnusson identifies many similarities between present and past sonic creative practices as he takes the reader through an impressive survey of music technologies spanning the analog–digital divide. Consistently thematising the act of writing throughout, Sonic Writing calls attention to the rich and continuous history of inscription practices such as staff notation, instrument building, phonographic sound recording, and programming digital synthesizer patches, practices that have been so intimately connected with the share

America’s most famous hymn was created in very unusual circumstances. Julia Ward Howe had travelled close to the front line and had witnessed a skirmish between Union and Confederate troops. Returning to her hotel, she entered a reverie, and, as she later explained it, was inspired to write new lyrics to a popular marching song. Her new composition – subsequently entitled “The Battle Hymn of the Republic” – described an almost apocalyptic intervention in which the evil of slavery would be thoroughly defeated. But the song took on a life of its own. Taken up in new causes, and internationally, the song that pronounced divine vengeance on the southern armies was considered as a national anthem for the United States before becoming an anthem for international peace. In this episode, we are joined by Richard M. Gamble, the Anna Margaret Ross Alexander Professor of History and Politics at Hillsdale College, MI, to talk about his outstanding new work, A Fiery Gospel: The Battle Hymn of the Republic and the Road to

What is the relationship between inequality and classical music? In Class, Control, and Classical Music (Oxford University Press, 2019), Anna Bull, a Senior Lecturer in Sociology at the University of Portsmouth and co-director of the 1752 Group, explores the intersections of class, race, and gender to explain the exclusive, and excluding, nature of classical music in contemporary society. The book is based on a detailed study of young people’s engagement with classical music, along with a broader understanding of music education and the sociology of culture. The book is also deeply engaged with the question of what, if anything, classical can do to transform, rather than reproduce, social inequalities. It is essential reading across both music and sociology, as well as for anyone interested in contemporary culture and social inequality. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paradox is a sophisticated kind of magic trick. A magician's purpose is to create the appearance of impossibility, to pull a rabbit from an empty hat. Yet paradox doesn't require tangibles, like rabbits or hats. Paradox works in the abstract, with words and concepts and symbols, to create the illusion of contradiction. There are no contradictions in reality, but there can appear to be. In Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy (MIT Press, 2020), Matt Cook and a few collaborators dive deeply into more than 75 paradoxes in mathematics, physics, philosophy, and the social sciences. As each paradox is discussed and resolved, Cook helps readers discover the meaning of knowledge and the proper formation of concepts―and how reason can dispel the illusion of contradiction. The journey begins with “a most ingenious paradox” from Gilbert and Sullivan's Pirates of Penzance. Readers will then travel from Ancient Greece to cutting-edge laboratories, encounter infinity and its diffe

A beloved Japanese anime move released in 1988, My Neighbor Totoro tells the story of two sisters, Satsuki and Mei, as they deal with the separation from their mother who is in the hospital, and their adventures with the forest creatures they meet called the Totoro. In Joe Hisaishi's Soundtrack for My Neighbor Totoro Soundtrack (Bloomsbury Academic, 2020), Kunio Hara analyzes the film’s score and image song collection composed by Joe Hisaishi. The movie’s catchy theme song, along with the rest of the music, contribute to the film’s nostalgic exploration of children’s inner lives and the power of imagination to combat the very real traumas of childhood. Part of the 33 1/3 Japan Series, this short book explores the collaboration between Hisaishi and Miyazaki Hayao, the film’s creator and director. Hara considers his subject from a variety of perspectives, from a musical analysis of key sections of the score and image album to an investigation of the film’s importance as an icon of Japanese pop culture. Kunio Ha

What does music tell us about society? In Connecting Sounds: The Social Life of Music (Manchester University Press, 2020), Nick Crossley, Professor of Sociology at the University of Manchester, introduces a relational sociology of music. The book thinks through the social and individual practices of music, the music industry, and the music ‘worlds’ of mainstreams, alternatives, and subcultures. The book also considers music’s relation to inequalities, including of patterns of taste, politics, and the public sphere. As well as the sociological perspective, Connecting Sounds discusses the role of individuals, as they use music for meaning and sense of identity, and as practitioners and consumers. Packed with examples, as well as a rich range of theoretical discussions, the book is essential reading for social science and music scholars, as well as for anyone interested in the role of music in our social world. Learn more about your ad choices. Visit megaphone.fm/adchoices

How does the world of book reviews work? In Inside the Critics’ Circle: Book Reviewing in Uncertain Times (Princeton University Press, 2020), Phillipa Chong, assistant professor in sociology at McMaster University, provides a unique sociological analysis of how critics confront the different types of uncertainty associated with their practice. The book explores how reviewers get matched to books, the ethics and etiquette of negative reviews and ‘punching up’, along with professional identities and the future of criticism. The book is packed with interview material, coupled with accessible and easy to follow theoretical interventions, creating a text that will be of interest to social sciences, humanities, and general readers alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Musicologists have long tried to understand how cosmopolitanism and nationalism affected classical music. Ryan Weber takes on this task in his book, Cosmopolitanism and Transatlantic Circles in Music and Literature (Palgrave MacMillan, 2018). Using the music and ideas of Edvard Grieg, Edward MacDowell, and Percy Grainger as his lens, Weber finds unexpected connections between these two concepts, which are often presented as being at odds with one another, and in the process complicates overly simplistic analyses of the nationalism of these composers. He contextualizes his discussion further by examining the close connections between music and literature at the turn of the twentieth century, and how notions of cosmopolitanism, nationalism, universalism, and hybridity explored by writers during this period deeply influenced Grieg, MacDowell, and Grainger. While he keeps his discussion primarily focused on the past, Weber also speaks to the challenges we continue to face around these issues. Ryan Weber is the ch

What is the human and environmental cost of music? In Decomposed: The Political Ecology of Music (MIT Press, 2019),Kyle Devine, an Associate Professor in the Department of Musicology at the University of Oslo, tells the material history of recorded music, counting the impact of music from the 78 to digital streaming. The book has a rich and detailed analysis of music’s contribution to our current environmental crisis, along with the human impact of making the materials that make our modern consumption of music possible. Offering a radically new perspective on music, the book is essential reading for everyone! Learn more about your ad choices. Visit megaphone.fm/adchoices

If you’re a grad student facing the ugly reality of finding a tenure-track job, you could easily be forgiven for thinking about a career change. However, if you’ve spent the last several years working on a PhD, or if you’re a faculty member whose career has basically consisted of higher ed, switching isn’t so easy. PhD holders are mostly trained to work as professors, and making easy connections to other careers is no mean feat. Because the people you know were generally trained to do the same sorts of things, an easy source of advice might not be there for you. Thankfully, for anybody who wishes there was a guidebook that would just break all of this down, that book has now been written. Going Alt-Ac: A Guide to Alternative Academic Careers (Stylus Publishing, 2020) by Kathryn E. Linder, Kevin Kelly, and Thomas J. Tobin offers practical advice and step-by-step instructions on how to decide if you want to leave behind academia and how to start searching for a new career. If a lot of career advice is too vague

In April 2014, a cohort of twenty-five hip hop artists assembled in Washington, D.C. for the first orientation meeting of a new cultural diplomacy program sponsored by the United States State Department. Next Level brings hip hop practitioners from the United States to other countries where they collaborate with local artists in workshops and other events in short residencies. Mark Katz, a hip hop scholar at the University of North Carolina at Chapel Hill, proposed the program and served as its first director. Build: The Power of Hip Hop Diplomacy in a Divided World (Oxford University Press, 2019) is Katz’s response to the first five years of this project. Cultural diplomacy has been part of the State Department’s outreach efforts since the 1940s, but hip hop was only included in the program when Toni Blackman became a cultural specialist in 2001. In his book, Katz takes on the hard questions prompted by the legacy of American imperialism abroad and racism at home that informs hip hop as a global art form and